The Slide Rule and the Crowbar: Henry David Thoreau in the Anthropocene
Daegan Miller reviews Robert M. Thorson’s “The Boatman: Henry David Thoreau’s River Years.”
"Writing only leads to more writing." — Colette
Daegan Miller reviews Robert M. Thorson’s “The Boatman: Henry David Thoreau’s River Years.”
Daegan MillerApr 23, 2017
Richard Kearney on Jason M. Wirth's "Commiserating with Devastated Things: Milan Kundera and the Entitlements of Thinking."
Richard KearneyApr 22, 2017
Patrick Kurp appreciates the serious “sallies” of “This Thing We Call Literature” by Arthur Krystal.
Patrick KurpApr 22, 2017
Alberto Comparini delves into “Theory of the Novel” by Guido Mazzoni.
Alberto CompariniApr 15, 2017
Heather Scott Partington on Yiyun Li's "Dear Friend, From My Life I Write To You in Your Life."
Heather Scott PartingtonApr 5, 2017
Marta Figlerowicz on André Jolles’s "Simple Forms."
Marta FiglerowiczMar 30, 2017
Andrew Lanham reviews Vaughn Rasberry’s “Race and the Totalitarian Century.”
Andrew LanhamMar 26, 2017
Mark Fisher's fans, friends, and colleagues remember the author of "Capitalist Realism" and "The Weird and the Eerie."
Carl Freedman, Dan Hassler-Forest, Ellie Mae O’Hagan, Jeremy Gilbert, Roger LuckhurstMar 11, 2017
Charlie Tyson on "Alan Hollinghurst: Writing Under the Influence," the new collection edited by Denis Flannery and Michèle Mendelssohn.
Charlie TysonMar 9, 2017
What did the Victorian era's aesthetic and psychosexual preoccupations produce? Len Gutkin on Claire Jarvis's "Exquisite Masochism."
Len GutkinMar 5, 2017
Can we still enjoy Lovecraft? Alison Sperling on "The Age of Lovecraft."
Alison SperlingMar 4, 2017
Shaun Miller on Peter Orner's "Am I Alone Here?"
Shaun MillerFeb 17, 2017