Ambidextrous Authorship: Greta Gerwig and the Politics of Women’s Genres
Patricia White considers Greta Gerwig's adaptation of "Little Women."
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Patricia White considers Greta Gerwig's adaptation of "Little Women."
Patricia WhiteFeb 7, 2020
The “American Dirt” dustup recalls another publishing fiasco.
Marie Myung-Ok LeeFeb 5, 2020
Esther Allen offers context for, and a translator’s perspective on, a publishing controversy.
Esther AllenFeb 5, 2020
Lee Thomas reviews "Verge," the new short story collection from Lidia Yuknavitch.
Lee ThomasFeb 4, 2020
Declan Ryan wings his way through “Lux” by Elizabeth Cook.
Declan RyanFeb 4, 2020
Martha Cooley reflects on hearing Elena Ferrante’s new novel in Italian.
Martha CooleyFeb 1, 2020
Christopher Atamian reviews "Waiting for Sophia at Shutters on the Beach," a new novel by Aris Janigian.
Christopher AtamianJan 31, 2020
Anna E. Clark takes stock of “Creatures,” the debut novel from Crissy Van Meter.
Anna E. ClarkJan 29, 2020
Pete Hsu visits “Interior Chinatown,” the new novel by Charles Yu.
Pete HsuJan 28, 2020
Ross McElwain reviews Annette Weisser’s novel, “Mycelium,” out now from Semiotext(e).
Ross McElwainJan 24, 2020
Eric Newman reviews the latest from Garth Greenwell, “Cleanness.”
Eric NewmanJan 23, 2020
Jennifer Croft is swept away by Frank Wynne’s translation of “Vernon Subutex 1,” a novel by Virginie Despentes.
Jennifer CroftJan 21, 2020