So You Believe in Intergenerational Trauma? A Conversation with Katya Apekina
Sasha Vasilyuk interviews Katya Apekina about her second novel, “Mother Doll.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Sasha Vasilyuk interviews Katya Apekina about her second novel, “Mother Doll.”
Sasha VasilyukMar 12, 2024
Eskor David Johnson reviews Cord Jefferson’s film “American Fiction.”
Eskor David JohnsonMar 9, 2024
J. T. Roane considers Ayana Mathis’s “The Unsettled.”
J. T. RoaneMar 9, 2024
Drew Zeiba reviews Liliana Colanzi’s “You Glow in the Dark.”
Drew ZeibaMar 7, 2024
Charlie Hope-D’Anieri reviews Jessi Jezewska Stevens’s “Ghost Pains.”
Charlie Hope-D’AnieriMar 5, 2024
Stephen Patrick Bell interviews Édouard Louis about his new book “Change.”
Stephen Patrick BellMar 3, 2024
Maria Rybakova reviews Liliana Corobca’s “Kinderland.”
Maria RybakovaFeb 28, 2024
Brian Castleberry interviews Jenny Croft about her debut novel, “The Extinction of Irena Rey.”
Brian CastleberryFeb 27, 2024
Caroline Tracey traces mother-daughter strife in Adriana Riva’s recent novel “Salt.”
Caroline TraceyFeb 25, 2024
Brian Attebery offers a critical reflection on five of Ursula K. Le Guin's short novels, recently reissued by Library of America.
Brian AtteberyFeb 21, 2024
Kaya Genç reviews Turkish author Nazlı Koca’s debut novel “The Applicant.”
Kaya GençFeb 19, 2024
Caryl Emerson reviews Jacob Emery’s “The Vortex That Unites Us: Versions of Totality in Russian Literature.”
Caryl EmersonFeb 19, 2024