(Un)fictional Geographies
Jennine Capó Crucet, author of "Make Your Home Among Strangers," talks to fellow novelist Alex Espinoza.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Jennine Capó Crucet, author of "Make Your Home Among Strangers," talks to fellow novelist Alex Espinoza.
Alex EspinozaOct 19, 2015
As a culture and as a literature we lose something when the poets and storytellers abdicate the telling of the national myth to historians and academics.
Colin Winnette, Robert KlossOct 14, 2015
Laura van den Berg interviews Matthew Salesses on the difficulties with writing conflict in narrative
Laura van den BergOct 10, 2015
When was it that we read an academic essay devoted to E. L. Doctorow's fiction?
Adam KellyOct 9, 2015
With "The Double Life of Liliane," Tuck returns to playing with form, telling a fictionalized version of her own coming-of-age story.
S. Kirk WalshOct 8, 2015
I most remember reading "Chelsea Girls" in the dark, at bars around San Francisco in the '90s …
Michelle TeaOct 4, 2015
Lauren Groff's "Fates and Furies" is a portrait of a marriage in two parts: "Fates" (his) and "Furies" (hers).
Catherine SteindlerSep 30, 2015
"I'd been following the Greg Haidl rap case and wanting to write about it for quite some time. How did the lawyers manage to get a mistrial?"
Barbara DeMarco-BarrettSep 30, 2015
The intense appeal of the Neapolitan novels is the intimacy they provide as we follow Elena and Lila's involvement in each other's lives.
Suzanne BerneSep 29, 2015
Jonathan Franzen could never entirely overcome his youthful conviction that reading was supposed to be more fun than work.
Ira WellsSep 29, 2015
With her fiction debut, Vesna Goldsworthy achieves notable, if not total success in making a new Gatsby out of a modern-day Russian oligarch in London.
Ben PaynterSep 27, 2015
"Outline" marks the threshold between Cusk’s memoir "Aftermath," where she ruminates on her marriage and its dissolution, and her take on Euripides’s "Medea."
Magdalena EdwardsSep 25, 2015