Aimee Molloy’s Maternal Horror
The gripping horror of Aimee Molloy’s “The Perfect Mother” lies in showing us the demons of motherhood in broad daylight.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
The gripping horror of Aimee Molloy’s “The Perfect Mother” lies in showing us the demons of motherhood in broad daylight.
Lily MeyerJun 13, 2018
Allegra Huston’s debut novel is suffused with sensual feeling.
Andrew GumbelJun 11, 2018
As part of a comprehensive guide to Christa Wolf’s often controversial literary history, "Eulogy for the Living" provides a perfect starting point.
Fiona BrysonJun 10, 2018
"Powers seems more inclined toward over-regulation and order even as he’s trying to tell a story of disorder." On "A Shout in the Ruins."
Shehryar FazliJun 9, 2018
Nathan Scott McNamara reviews Helen DeWitt’s collection “Some Trick,” where we are granted access to 13 more of her mad performances.
Nathan Scott McNamaraJun 8, 2018
Rather than dystopian fiction, it’s more apt to call Ahmed Saadawi’s “Frankenstein in Baghdad” fiction of dystopian times.
Sam MetzJun 5, 2018
Alexander C. Kafka finds James Wood’s “Upstate” a stirring novel of quiet, careful craftsmanship.
Alexander C. KafkaJun 5, 2018
Andre Hardy interviews Mark Sarvas about his new novel, "Memento Park."
Andre HardyJun 3, 2018
In DeWitt’s new collection “Some Trick,” keen insights give a distinctive glimpse at how moments of creation blossom.
Adam FalesMay 29, 2018
The duality that Sylvia Plath wrote about in her thesis provides the basis for the personality of Esther, the protagonist of Plath’s “The Bell Jar.”
Kelly Marie CoyneMay 26, 2018
In “Atticus Finch, The Biography,” historian Joseph Crespino exposes the complications of an American literary icon.
Rachel GordanMay 20, 2018
The richest aspect of Vesna Goldsworthy’s novel “Monsieur Ka” is not its literary gaming but its incessant attempts to make the reader question reality.
Lara VapnyarMay 19, 2018