A Fundamentally Absurd Question: Talking with “Motherhood” Author Sheila Heti
Kate Wolf interviews “Motherhood” author Sheila Heti.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Kate Wolf interviews “Motherhood” author Sheila Heti.
Kate WolfMay 7, 2018
“Motherhood” offers readers, and women in particular, ingenious ways to reconceive themselves.
Jennifer CroftMay 7, 2018
If you still haven’t tried Knausgaard or have been unsatisfied with his helplessly casual "New York Times" travel essays, try "Spring."
Bob BlaisdellMay 5, 2018
Eric Gudas makes the case for “The Mountain Lion,” a classic novel of childhood by Jean Stafford.
Eric GudasMay 5, 2018
Ariel Dorfman returns to fiction with a fact-based story that puts the reader on guard immediately.
Mark Axelrod-SokolovMay 4, 2018
On race and "So Much Blue."
Matthew MullinsMay 3, 2018
Rachel Shteir looks at tales of violence in Chicago.
Rachel ShteirMay 2, 2018
In “Black Swans,” Eve Babitz probes the causes and consequences of why the ’60s and ’70s were so debauched.
Lauren SarazenMay 2, 2018
Change the political genre, fight for something new, Acker’s work urges us, because conventional politics in the post-factual age is failing to evolve.
Ralph ClareMay 2, 2018
Taylor Larsen finds the work of Sam Pink unique and true.
Taylor LarsenMay 1, 2018
Jennifer Croft finds Rachel Kushner’s “The Mars Room” a brilliant work of unique rigor.
Jennifer CroftMay 1, 2018
Thompson-Spires’s satire, oriented around questions of blackness, joins a particular tradition of African-American sardonic absurdism.
Gabrielle BellotApr 30, 2018