The Human and the Holy: On Sarah Ghazal Ali’s “Theophanies”
Adedayo Agarau reviews Sarah Ghazal Ali’s “Theophanies.”
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Adedayo Agarau reviews Sarah Ghazal Ali’s “Theophanies.”
Adedayo AgarauJan 16
Natasha Hakimi Zapata interviews Megan Fernandes and Edgar Kunz about their new poetry collections.
Natasha Hakimi ZapataJan 15
Emmeline Clein reviews Kate Manne’s “Unshrinking: How to Face Fatphobia.”
Emmeline CleinJan 13
Michael Dango dissects the history and stakes of Madonna studies.
Michael DangoJan 12
Michael Weinstein reviews “How to Communicate” by John Lee Clark and “Aster of Ceremonies” by JJJJJerome Ellis.
Michael M. WeinsteinJan 10
David Wolpe reviews Nora Gold’s “18: Jewish Stories Translated from 18 Languages.”
David WolpeJan 6
The Ins/Outs of 2024, as predicted by LARB social media director Maya Chen.
Maya ChenJan 1
Ama Kwarteng reviews “Emerald Wounds” by Joyce Mansour.
Ama KwartengDec 31, 2023
Christopher Kondrich reviews Brandon Shimoda’s “Hydra Medusa” and Eleni Sikelianos’s “Your Kingdom.”
Christopher KondrichDec 20, 2023
Mariella Rudi reviews Susanne Wedlich’s “Slime: A Natural History” and Christopher Michlig’s “File Under: Slime.”
Mariella RudiDec 17, 2023
Brandon Tensley revisits “Sister Act 2: Back in the Habit” as an underrated entry in the hood drama genre.
Brandon TensleyDec 14, 2023
Lori Gallegos outlines the contributions Latinx philosophers have made to the ethics of immigration.
Lori GallegosDec 11, 2023