Cottage Industry: On “Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture”
In "Dead Pledges," Annie McClanahan uncovers how cultural production after 2008 registers a new crisis subjectivity in the wake of the mortgage meltdown.
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
In "Dead Pledges," Annie McClanahan uncovers how cultural production after 2008 registers a new crisis subjectivity in the wake of the mortgage meltdown.
Sofia CutlerJul 9, 2017
Ben Merriman reviews Howard S. Becker’s “Evidence,” on the conduct of sociological research.
Ben MerrimanJun 25, 2017
A trip through the contemporary American landscape featuring portraits of eight different cities by a creative writing professor.
Tom ZoellnerJun 23, 2017
In all the messiness of Sara Ahmed's "Living a Feminist Life," it offers more than a healthy start.
Mariam RahmaniJun 6, 2017
Mimi Zeiger examines “Atlas of Another America: An Architectural Fiction” by Keith Krumwiede.
Mimi ZeigerMay 30, 2017
Jacob Mikanowski follows Józef Wittlin through the “City of Lions.”
Jacob MikanowskiMay 27, 2017
John Merriman reviews “From Vichy to the Sexual Revolution” by Sarah Fishman.
John MerrimanMay 26, 2017
Michael Meranze reviews Stefan Collini’s “Speaking of Universities.”
Michael MeranzeMay 23, 2017
David Roediger on “White Working Class: Overcoming Class Cluelessness in America.”
David RoedigerMay 17, 2017
Emily Drabinski explores normativity and the Library of Congress classification system in her review of Melissa Adler’s “Cruising the Library.”
Emily DrabinskiMay 14, 2017
Michael Blum strolls through “Walking in Berlin” by Franz Hessel.
Michael BlumMay 5, 2017
James J. Conway discusses the flânerie of Franz Hessel with translator Amanda DeMarco.
James J. ConwayMay 5, 2017