Windy City Gothic: The Resurrection of “The Death of the Detective”
Mark Smith's "Death of the Detective" won’t be to every taste, but it clearly doesn’t expect to be.
Mark Smith's "Death of the Detective" won’t be to every taste, but it clearly doesn’t expect to be.
Knox Peden on "The History Manifesto" by Jo Guldi and David Armitage.
To read Kelly Link’s stories is to understand the sheer possibilities of form, of genre, and how rules can be twisted, snapped, shattered.
Elisa Albert's After Birth takes on female friendship with the same boldness and irreverence with which she dismantles the clichés of motherhood.
What happens when “life as we know it” becomes a series of occasions to collect, analyze, and use data to determine what’s true, opportune, or even right to do? According to Luke Dormehl, much more than we bargained for.
D.T. Suzuki was “one of the most culturally influential Asians of the twentieth century.”
"Never trust an ordinary man in a small English town."
Chinese immigrants transform Italy.
Anne Richardson on Mohamedou Ould Slahi's "Guantánamo Diary"
"The First Bad Man" not only showcases Miranda July’s essential humanism, it displays a blossoming maturity, accessibility, and philosophical depth.
Albert Camus’s Algerian Chronicles, Pierre Bourdieu’s photo-book Picturing Algeria, and Denis Guénoun’s moving family biography, A Semite, invoke lessons on how to live together well.
Bernard Cooper on the way life does, indeed, follow art.
“However magesterially this biography conventionalizes Brown’s life, it does so at some potential cost to Brown’s anomalousness.”
Complicating the picture of Goodis’s career was the fact his work had a separate life in France.
On fog, memory, San Francisco, and Kyle Boelte's memoir.
A man alone on a stage with just his microphone, his talent, and his demons for company.