The Art of Disillusionment: Alejandro Jodorowsky and the Uses of Fiction
Jodorowsky’s masterpiece begins by lurching from violent episode to mystical encounter to cosmic sexual escapade — and the momentum holds through the novel.
Jodorowsky’s masterpiece begins by lurching from violent episode to mystical encounter to cosmic sexual escapade — and the momentum holds through the novel.
We have a much better understanding of the fragility of Woodrow Wilson’s vision for American power — and a much firmer sense that our leaders today should not indulge in it.
In a sense, "Satin Island" resembles a genre for which Tom McCarthy has an avowed fondness, one listed on the cover: that brash, repetitious vessel of rousing ideology, the manifesto.
Neuroscience, neurons, consciousness.
“Let’s imagine…a history in which words like 'leftist,' 'radical,' and 'communist' did not summon instant skepticism if not scorn; a world in which these terms could sustain real dialogue.”
Christopher Urban on Tom McCarthy's new novel.
Nicole Lee on Mo Yan's new novel.
What are we to do with our mortality?
Boris Dralyuk on Arkady and Boris Strugatsky's detective novel.
John Dixon Mirisola on Tania James's second novel.
In Horatio Moya’s novel about a journalist exiled from El Salvador, paranoia is the only logical and moral response.
“But Forms is less a defense than a redesign of formalism. Levine doesn’t call for a return to old-school aesthetic appreciation and apolitical close reading as a way to curb historicism run amok. Instead, as many critics have done before her, she looks beyond her discipline for a way around the whole formalism/historicism debate.”
Can Foucault be blamed for an anti-human neoliberal age of inequality?
Tyler Dilts on Dennis Lehane's final Joe Coughlin novel.
Contributor Guy Stagg reviews "Fields of Blood: Religion and the History of Violence" by Karen Armstrong.