Desperately Looking for Others
Science fiction’s quest for otherness has gone global.
Science fiction’s quest for otherness has gone global.
The polarized nature of the migration debate does little to advance our understanding of the issue, which is why Tara Zahra’s new book is so timely.
A review of Chris Offutt’s memoir of his father, a science-fiction writer and pornographer.
A look at two books, Christopher Coker's "Future War" and August Cole and P. W. Singer's "Ghost Fleet."
Dana Spiotta’s "Innocents and Others" made me think about the shame I hear and project when I eavesdrop (unwillingly) on people sitting near me at the café.
Sometimes aesthetic beauty is a window, sometimes it is a curtain. Annie Dillard makes beautiful work either way.
Lisa Russ Spaar looks to poets Sam Taylor and James Tate to explay why the two fundamental modes of lyric poetry are crying and laughing.
Lawyers by trade are storytellers, and good lawyers tell good stories — Anthony Franze’s book is a case in point.
Fiona McFarlane's Australians tend to be placid and remote adept at minimizing their desires, and sometimes poignantly, sometimes frighteningly conformist.
Ana Castillo has a new memoir about being a daughter, and being a mother.
An adaptation that feels at once deeply faithful and impious.
Douglas Piccinnini suspends and electrifies narration.
A look at the history and legacy of Black Mountain College.
Jane Mayer’s "Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right" is almost too good for its own good.
"Incarceration Nations" is a book that doesn’t entirely make up its mind
The beginning of Pat Barker’s novel "Noonday" raises the question of whether we are too saturated by fictions that play to our fascination with World War II