Our Deplorable Selves: Alan Alda’s Improv Antidote
K. C. Cole looks at Alan Alda's "If I Understood You, Would I Have This Look on My Face?"
K. C. Cole looks at Alan Alda's "If I Understood You, Would I Have This Look on My Face?"
Deborah Nelson’s “Tough Enough” examines how intellectual powerhouses including Hannah Arendt, Susan Sontag, and Diane Arbus face reality head on.
Tahneer Oksman on the images that can override images in Dominique Goblet's graphic memoir "Pretending Is Lying."
Houman Barekat journeys through “The Correspondence: Essays” by J. D. Daniels.
In all the messiness of Sara Ahmed's "Living a Feminist Life," it offers more than a healthy start.
Henrik Bering explores “The Novel of the Century” by David Bellos.
Leonie Orton, sister of controversial playwright Joe Orton, discusses her memoir with Charles Casillo.
Roy Scranton reviews Bertolt Brecht’s “War Primer.”
Brooke Gladstone’s confidence that the facts will eventually assert themselves is galvanizing, but the book can’t tell us when, or how, or why.
Andrew Seal on Nancy Weiss Malkiel's "'Keep the Damned Women Out': The Struggle for Coeducation."
W. S. Lyon reviews Ottessa Moshfegh's recent short story collection.
Joshua James Amberson reviews Catherine Lacey's "The Answers."
Russell Williams reviews Michel Houellebecq’s poetry collection “Unreconciled.”
Glenn Harper reviews “The Long Drop” by Denise Mina.
Karen Brissette reviews “Into the Water” by Paula Hawkins.
Chris Townsend follows the path of “No One’s Ways: An Essay on Infinite Naming” by Daniel Heller-Roazen.