Nature Red (40) in Tooth and Claw
Alison Laurence reviews “Jurassic World Rebirth” in the context of de-extinction developments.
Alison Laurence reviews “Jurassic World Rebirth” in the context of de-extinction developments.
Laurie L. Levenson cross-examines Leah Litman’s “Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes.”
Eliana Rozinov analyzes the interplay between two recent shows, “Sirens” and “Hacks.”
Jeffrey L. Kosky considers Mark C. Taylor’s “After the Human: A Philosophy for the Future.”
Carl Abbott dives into Joan Slonczewski’s “Minds in Transit.”
Emily Van Duyne explores Diana Arterian’s “Agrippina the Younger.”
Michael O’Donnell reads Charlie English’s “The CIA Book Club: The Secret Mission to Win the Cold War with Forbidden Literature.”
Nolan Kelly watches two movie adaptations of Sigrid Nunez novels, “The Room Next Door” and “The Friend.”
Michela Massimi reflects on Philip Kitcher’s vision for the future in “The Rich and the Poor.”
Carey Mott reviews Andrea Louise Campbell’s “Taxation and Resentment: Race, Party, and Class in American Tax Attitudes” and Ruth Braunstein’s “My Tax Dollars: The Morality of Taxpaying in America.”
Shaan Sachdev explores Pankaj Mishra’s “The World After Gaza: A History,” moral authority, and a generation of young dissenters.
Winnie Code considers Andrew DeYoung’s debut feature film “Friendship.”
Geertje Bol and Jan Eijking review “Erased: A History of International Thought Without Men,” by Patricia Owens.
Priya Gandhi explores Hilma af Klint’s studies of nature.
Ed Pulford reviews Ben Nathans’s “To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement” and Perry Link and Wu Dazhi’s “I Have No Enemies: The Life and Legacy of Liu Xiaobo.”
Erik J. Larson thinks about “Mindless: The Human Condition in the Age of Artificial Intelligence,” which traces Robert Skidelsky’s philosophical reckoning with AI, automation, and the illusion of progress.