The Noosphere Gazette: On Peter B. Kaufman’s “The New Enlightenment and the Fight to Free Knowledge”
An open-access, verifiable, digital knowledge base would potentially enable a major flowering of the human mind.
An open-access, verifiable, digital knowledge base would potentially enable a major flowering of the human mind.
“Disco Elysium: The Final Cut” is a roleplaying game that turns a murder mystery into a surreal voyage through the history of capitalism and empire.
Patriotism is a virtue — if you do it right.
Kate Wolf and Medaya Ocher are joined by Katie Kitamura to discuss her latest novel, “Intimacies.”
“The Darkroom” is a critique of aesthetics and politics, and a meditation on the end of the world.
This elliptical memoir is the first English translation of a major modern Italian author.
LARB presents the July 2021 installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
David N. Myers weighs the sins of the real-life family emplotted in “The Netanyahus,” a new comic novel from Joshua Cohen.
Esmé O'Keeffe synthesizes the themes in Édouard Louis' early works.
John Guillory ventures through "The Teaching Archive," the new history of literary studies by Rachel Sagner Buurma and Laura Heffernan.
Travis Diehl finds himself "Lost in Summerland," the new essay collection by Barrett Swanson.
Matt Morton interviews Karen Solie about her new book, “The Caiplie Caves.”
The Indian novelist discusses the three ingredients that make up his work: Delhi, global English, and masala.
Harrison Diskin reviews "The Democratic Sublime" by Jason Frank.
Sara Campos considers “The End of Asylum” by Andrew Schoenholtz, Jaya Ramji-Nogales, and Philip G. Schrag.
Karla Kelsey inspects the interrelation of ecology and time in Cole Swensen's "Art in Time."