Run for the Sun, Little One
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Alma Katsu and Sadie Hartmann discuss women who write horror fiction.
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Calvin Gimpelevich writes on the history and politics of public bathrooms, in this essay from LARB Quarterly no. 47, “Security.”
Alix Christie considers Susan Straight’s challenging yet crucial portraits of an “overlooked” California.
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
Tess Pollok interviews Lauren O’Neill-Butler about her new essay collection, “The War of Art: A History of Artists’ Protest in America.”
Tim Brinkhof considers Joe Wright’s new Mussolini miniseries as a flawed representation of the rise of fascism in Italy.
Historian Paul Finkelman praises Brad Snyder’s new account of a wrongfully convicted civil rights hero.
Nada Alic speaks with Halle Butler about social satire, writing humor, and her newest novel, “Banal Nightmare.”
Sumaiya Aftab Ahmed considers “38 Londres Street: On Impunity, Pinochet in England, and a Nazi in Patagonia,” the newest book from Philippe Sands.
Julia Loktev joins the podcast to talk about her new documentary "My Undesirable Friends," following a team of journalists in Russia right before the invasion of Ukraine.
Aaron Boehmer writes about community libraries and the importance of accessible archival and literary resources in these times.
Jeffrey Wasserstrom speaks with Xue Yiwei and Nan Z. Da about Shakespeare’s legacy in China.
Karen E. Park explores Kristin Grady Gilger’s “mother memoir” about her son’s most troubling decision: to become a Catholic priest.
Sanjena Sathian speaks with Dan Chaon about his new novel, “One of Us.”