Neoliberal Tools (and Archives): A Political History of Digital Humanities
Daniel Allington, Sarah Brouillete, and David Golumbia explain how Digital Humanities plays a lead role in the corporatist restructuring of the humanities....
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Are PhD Students Irrational?
Debunking the widespread idea that humanities PhD students are irrational for entering into an “oversupplied” degree in a tight job market....
The Case Against Cats
Are you a cat person or a bird person? Colin Dickey reviews Peter P. Marra and Chris Santella’s “Cat Wars: The Devastating Consequences of a Deadly Killer.”...
Emojis, Comics, and the Novel of the Future
Only by being willing to adapt can the novel live up to the promise of its name. Xu Bing’s "Book from the Ground: From Point to Point" is just that....
Rethinking Knowledge in the Internet Age
With the internet at our fingertips, this is the greatest time to be a curious person wanting to learn, and it is the greatest time to be a complete idiot....
Critical Intimacy: An Interview with Gayatri Chakravorty Spivak
Steve Paulson interviews Gayatri Chakravorty Spivak — a joint publication between Wisconsin Public Radio and the Los Angeles Review of Books....
Embarrassing Ourselves
The Introduction to the new translation of "On Grammatology," the Afterword, and the revisions to the translation all represent significant steps backward....
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February EVERYTHING FROM 2016
First Food, Then Morality
Oliver and Sarah: The Story of the Winchesters
D. G. Compton, Authenticity, and Privacy
The Art of the Possible: Peter Frase’s “Four Futures”
Townes Van Zandt, 9/11, and the Wages of Prophecy
War As Hell Brought Home: An Interview with Odie Lindsey
Dancing with Words
On Alter Egos and Facing Monsters: Jonathan Alexander Interviews Francesca Lia Block
The Telephone Exchange
Serious Literature: On Hua Hsu’s “A Floating Chinaman”
Russian Invasion: On Dan Ackerman’s “The Tetris Effect”
“The Battle of Algiers” at 50: From 1960s Radicalism to the Classrooms of West Point
More at Stake Here Than Beauty: An Interview with Yaa Gyasi
Turn Left or Get Shot
Picking up the Pieces
Why Is There Something Rather than Nothing?
Science and the Big Picture: Do Any Mysteries Remain?
Labeling the Russian Immigrant: Irina Reyn’s “The Imperial Wife”
“Flower Drum Song,” Whitewashing, and Operation Wetback: A Message from 1961
Ecological Trauma in the Body: Viet Dinh’s “After Disasters” Explores the Inner Conflicts of Disaster Relief
