Bach at the Burger King
When the music of Vivaldi and Mozart are used to repel the homeless from sidewalks and Burger Kings, does it still glorify the dignity of humanity?...
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A Messiah-cum-Surrogate-Dad for Gormless Dimwits: On Jordan B. Peterson’s “12 Rules for Life”
Houman Barekat questions “12 Rules for Life: An Antidote to Chaos” by Jordan B. Peterson....
The Useless French Language and Why We Learn It
Colin Marshall examines English speakers’ relationship to the French language, which is the subject of a growing number of books....
Whose University Is It Anyway?
Can higher education be saved from the all-administrative university?...
Quasi Duo Fantasias: A Straussian Reading of “Black Panther”
Slavoj Žižek offers a Straussian reading of “Black Panther.”...
Elio’s Education
D. A. Miller on the mainstream gay-themed movie, the Beautiful Life, and "Call Me by Your Name."...
The “Intellectual Dark Web” Is Nothing New
The intellectual superstars of the Trump era are not as new as they fancy themselves....
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January EVERYTHING FROM 2018
A Castle Built on Sand? Ukrainian Literature and Crimea
The Words That Don’t Kill: Interview with Tetiana Savchynska
Every Woman’s Story: In Conversation with Paula McLain About Gellhorn and Hemingway
Russian Cosmism Versus Interstellar Bosses: Reclaiming Full-Throttle Luxury Space Communism
In Defense of the Medium
Scripts of Girlhood: An Interview with Holly Tommasino
At a Certain Age and Searching for Meaning: Anne Tyler’s “Clock Dance”
Memories of the Skin: Shizu Saldamando’s Portraits
The Keeper of the Keys Tells His Tale
Assembling a New Left
From Watching to Participating: Kate Bredeson and Lars Jan Discuss 1968 and Jan’s Stage Production of Joan Didion’s “The White Album”
Stories as Prayer: A Conversation Between Joshua Cohen and Harold Bloom
The People in the Trees
Originalism on Trial
The Political Print: On David Francis Taylor’s “The Politics of Parody”
Prison Is Another Word for Lynching
A Science of Exceptions: On Michel Serres’s “The Birth of Physics”
Beyond the Lyme Wars
The Hazards of Good Fortune, Part XV
Revolt and Revulsion in Margarita García Robayo’s “Fish Soup”
