A Slave Empire
Brooke N. Newman’s ‘The Crown’s Silence’ dives into the long history of transatlantic atrocities committed by Charles III’s ancestors in the name of empire.
Brooke N. Newman’s ‘The Crown’s Silence’ dives into the long history of transatlantic atrocities committed by Charles III’s ancestors in the name of empire.
An exhibition inspired by John Berger asks us to reconsider human-animal relations.
What’s familiar and what’s new about our current fascination with the figure and the mystery of the nun, from Rosalía to self-help books.
George Saunders’s latest ghost story, ‘Vigil,’ is a fanciful, tedious megaphone for its author, rather than for its characters.
Devon Halliday on the lure of reality TV in Stephen Fishbach’s novel ‘Escape!’
Madeline Cash talks with Hannah Tishkoff about how her upbringing in the Valley shaped her debut novel ‘Lost Lambs.’
Radu Jude’s ‘Dracula’ shines sunlight on the vampirism of cinematic AI and the ways studios have bled the vampire IP dry.
Losing home and rebuilding, reluctantly, in the year after Los Angeles’s Eaton Fire.
Julian Brave NoiseCat discusses ‘We Survived the Night,’ his genre-bending revival of the ‘Coyote epic,’ with Leila Nadir.
M. D. Usher on Paul Kingsnorth’s impassioned and flawed new manifesto against the pervasiveness of technology in modern life.
Lauren Rothery talks about her new novel "Television," the current state of Hollywood, and why she thinks television is a good metaphor for romance.
What was lost when Claire Douglas’s archive burned.
In 2025, television offered a primer in principled dissent.
New books by Dan Wang and Hu Anyan depict ‘both the achievements and the costs of China’s technological rise,’ and why Americans should take note.
The third installment of ‘The Biden Years On-Screen’ considers the cinematic fallout of cancel culture, the overruling of Roe v. Wade, and the 2022 midterm elections.
On Brenda Navarro’s novel ‘Eating Ashes,’ newly translated by Megan McDowell.