A Fiction of Global Terror
Timothy Rideout’s new book shows how precarity among the middle and working classes powers the fears at the heart of 21st-century gothic literature.
Timothy Rideout’s new book shows how precarity among the middle and working classes powers the fears at the heart of 21st-century gothic literature.
Brian James Schill speaks with the founders of ‘Punk’ magazine on its 50th anniversary about whether they were surveilled by the feds.
Joan Copjec’s new book charts the conceptual affinities and historical convergences between psychoanalysis and Islamic philosophy.
A cheerful collection of Turkish erotica, translated by Burcu Karahan, offers insights into early 20th-century sexuality in Istanbul.
Exploring how the graphic novel ‘Death Strikes’ intersects with the modernist opera ‘Der Kaiser von Atlantis,’ a work composed by Jewish prisoners during the Holocaust.
How the university entrance exam and residency permits structure life for in China.
Amid cinema’s decline, two new books by A. S. Hamrah resist defeatism.
Asha Schechter documents the experience of retouching precious gems, in an essay from LARB Quarterly no. 47: ‘Security.’
Five writers and AI researchers discuss the future of literature.
Richard Hell joins the podcast to speak about the reissue of his novel 'Godlike'
A major new study puts the visual paradoxes and optical illusions of baroque art at the heart of theological debates of the Counter-Reformation.
Revisiting Pat Cadigan’s 1991 novel “Synners” in light of dystopian developments in Los Angeles.
In the wake of Bob Weir’s death, a new book emerges on the Grateful Dead’s overlooked engagement with literature.
Chris Horton’s ‘Ghost Nation’ and Ching Kwan Lee’s ‘Forever Hong Kong’ follow protesters and revolutionaries who, successfully or otherwise, challenged the power of the state.
Devon Walker-Figueroa discusses eros, eternity, and her new collection ‘Lazarus Species’ with LARB’s poetry editor Elizabeth Metzger.
On Urszula Honek’s bleak debut story collection, the Booker long-listed ‘White Nights,’ newly translated by Kate Webster.