Vast Silences: On Victor LaValle’s “Lone Women”
John Edward Martin reviews Victor LaValle’s “Lone Women.”
"The function of science fiction is not always to predict the future but sometimes to prevent it." — Frank Herbert
John Edward Martin reviews Victor LaValle’s “Lone Women.”
John Edward MartinMay 2, 2023
Roger Luckhurst reviews the new collection of essays “Uneven Futures: Strategies for Community Survival from Speculative Fiction” from MIT Press.
Roger LuckhurstApr 16, 2023
Emily Friedman writes about intellectual property and Dungeons and Dragons.
Emily FriedmanApr 8, 2023
Justin Wigard reviews Stephen Graham Jones’s “Don’t Fear the Reaper.”
Justin WigardMar 18, 2023
D. Harlan Wilson reviews Silvia Moreno-Garcia’s “The Daughter of Doctor Moreau.”
D. Harlan WilsonMar 11, 2023
Jenna M. Wilson reviews Robyn Maynard and Leanne Betasamosake Simpson’s “Rehearsals for Living.”
Jenna M. WilsonFeb 25, 2023
Hugh Charles O’Connell reviews China Miéville’s “A Spectre, Haunting: On the Communist Manifesto.”
Hugh Charles O’ConnellFeb 18, 2023
Nathan Wainstein explores the aesthetic ambiguities of wonder in FromSoftware’s video game “Bloodborne” and H. P. Lovecraft’s story “The Haunter of the Dark.”
Nathan WainsteinFeb 11, 2023
Niall Harrison reviews three early-20th-century science fiction novels published as part of the MIT Press’s Radium Age series.
Niall HarrisonJan 21, 2023
Evan Selinger talks with Jonathan Carroll about how to choose your best multiverse life in his new novel “Mr. Breakfast.”
Evan SelingerJan 14, 2023
Jason Ray Carney reviews Brandon R. Grafius’s “Lurking Under the Surface: Horror, Religion, and the Questions That Haunt Us,” a nonfiction book that explores the relationship between horror films and biblical studies.
Jason Ray CarneyJan 7, 2023
Joani Etskovitz explores the genres at play — from astronomy and mythology to self-help and romance — in Dr. Moiya McTier’s “The Milky Way: An Autobiography of Our Galaxy.”
Joani EtskovitzDec 24, 2022