“Our Own Madness, Our Own Absurd” (Andrei Platonov, Vladimir Sharov, and George Bernard Shaw)
Caryl Emerson ponders "Fourteen Little Red Huts" and the moral visions of Andrei Platonov, Vladimir Sharov, and George Bernard Shaw.
"You can't ignore politics, no matter how much you'd like to." — Molly Ivins
Caryl Emerson ponders "Fourteen Little Red Huts" and the moral visions of Andrei Platonov, Vladimir Sharov, and George Bernard Shaw.
Caryl EmersonOct 30, 2019
Chang-Min Yu reviews Joseph Jonghyun Jeon’s volume on Korean cinema and its rendering of global economic logics through film language and narrative.
Chang-Min YuOct 28, 2019
What does the central role of literary disinheritance in Beckett's work teach us about those who voted for Brexit?
Eva KennyOct 26, 2019
The rebuilding of destroyed mosques is Bosnia is one part of a long project of genocide prevention.
Maxim Edwards, Michael ColborneOct 24, 2019
A prison is less a maze of walls than “a set of relationships,” argues filmmaker Brett Story in a follow-up book to an acclaimed film.
Mark TreckaOct 19, 2019
A personal story about fleeing the Iranian Revolution is also an indictment of Western immigration policy.
Scott BurtonOct 17, 2019
Emmalea Russo reviews Cynthia Cruz’s “Disquieting: Essays on Silence.”
Emmalea RussoOct 17, 2019
LARB presents Elmaz Abinader’s introduction “Graffiti,” the inaugural anthology from artist collective POC United, published this week by Aunt Lute Books.
Elmaz AbinaderOct 16, 2019
Jenny Brown responds to Meredith Goldsmith, Anna Kryczka, and Catherine Liu’s “Anti-Labor Politics,” and the writers respond to her criticism.
Anna Kryczka, Catherine Liu, Jenny Brown, Meredith GoldsmithOct 15, 2019
Cinque Henderson looks at "Self-Portrait in Black and White" by Thomas Chatterton Williams.
Cinque HendersonOct 15, 2019
Don Franzen reviews Edward Watts's "Mortal Republic: How Rome Fell into Tyranny."
Don FranzenOct 14, 2019
Sebastian Stockman reviews Lewis Hyde’s “A Primer for Forgetting.”
Sebastian StockmanOct 14, 2019