“Can We Live This Way?”: On Brenda Shaughnessy’s “The Octopus Museum” and Deborah Landau’s “Soft Targets”
Sarah Herrington reviews "The Octopus Museum" by Brenda Shaughnessy and "Soft Targets" by Deborah Landau.
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
Sarah Herrington reviews "The Octopus Museum" by Brenda Shaughnessy and "Soft Targets" by Deborah Landau.
Sarah HerringtonDec 19, 2019
Sophia Stewart dives into “The Crying Book” by Heather Christle.
Sophia StewartDec 16, 2019
Aliki and Tony Barnstone appreciate “Empires,” the latest collection of poems by John Balaban.
Aliki Barnstone, Tony BarnstoneDec 13, 2019
The urge to be seen forms the urgency of Cameron Awkward-Rich’s “Dispatch.”
Stephanie BurtDec 10, 2019
Carol Muske-Dukes considers “To the Wren: Collected & New Poems” by Jane Mead.
Carol Muske-DukesDec 4, 2019
Conor Bracken considers “A Fortune for Your Disaster” by Hanif Abdurraqib.
Conor BrackenNov 27, 2019
Jonathan Alexander on Nico Tortorella, gender fluidity, and contemporary culture.
Jonathan AlexanderNov 26, 2019
Will Clark reviews “Feed,” the new book by Tommy Pico.
Will ClarkNov 19, 2019
Lisa Russ Spaar takes a second look at second books by poets L. E. Sissman and Lynn Martin.
Lisa Russ SpaarNov 14, 2019
Jake Fuchs relishes the grim wit of “Last Pages” by Oscar Mandel while pondering whether its author is "essentially cheerful."
Jake FuchsNov 12, 2019
Will Brewbaker wades into “The River Twice” by Kathleen Graber.
Will BrewbakerNov 9, 2019
Lois P. Jones speaks to poet David Whyte, whose latest collection is “The Bell and the Blackbird.”
Lois P. JonesNov 7, 2019