Whose Fantasy Is This? On Sally Wen Mao’s “The Kingdom of Surfaces”
Hazem Fahmy reviews “The Kingdom of Surfaces” by Sally Wen Mao.
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
Hazem Fahmy reviews “The Kingdom of Surfaces” by Sally Wen Mao.
Hazem FahmyAug 28, 2023
James Ciano reviews Saskia Hamilton’s “All Souls.”
James CianoAug 26, 2023
Katya Apekina speaks with Ben Purkert about his debut novel “The Men Can’t Be Saved.”
Katya ApekinaAug 26, 2023
Sabina Knight reviews the poetry and historical writing of Julian Gewirtz in “Never Turn Back: China and the Forbidden History of the 1980s” and “Your Face My Flag.”
Sabina KnightAug 21, 2023
Katherine Robinson reviews Mark Wormald’s “The Catch: Fishing for Ted Hughes.”
Katherine RobinsonAug 19, 2023
Elizabeth Metzger interviews anonymous Instagram poetry curator @poetryisnotaluxury.
Elizabeth MetzgerAug 16, 2023
Shoshana Olidort reviews Pleiades Press’s “Bert Meyers: On the Life and Work of an American Master,” edited by Dana Levin and Adele Williams.
Shoshana OlidortAug 12, 2023
Adedayo Agarau reviews “Two Open Doors in a Field” by Sophie Klahr.
Adedayo AgarauAug 5, 2023
Chloe Xiang reviews “Mass for Shut-Ins” by Mary-Alice Daniel.
Chloe XiangAug 4, 2023
Jay Murphy reviews three recent books of (and about) the late writings of Antonin Artaud.
Jay MurphyAug 3, 2023
Robin Myers writes about her experience of migrating to Mexico City and coming to translate Spanish poetry.
Robin MyersAug 2, 2023
Hollis Robbins reviews Vincent Carretta’s “Phillis Wheatley Peters: Biography of a Genius in Bondage” and David Waldstreicher’s “The Odyssey of Phillis Wheatley: A Poet’s Journeys Through American Slavery and Independence.”
Hollis RobbinsJul 30, 2023