Culture Never Recovered
From his rear window, M. Keith Booker reads the new anthology of stories inspired by Alfred Hitchcock, edited by Maxim Jakubowski.
"The cheaper the crook, the gaudier the patter, eh?" — Dashiell Hammett
From his rear window, M. Keith Booker reads the new anthology of stories inspired by Alfred Hitchcock, edited by Maxim Jakubowski.
M. Keith BookerDec 15
Justin St. Clair reviews Thomas Pynchon’s new novel “Shadow Ticket.”
Justin St. ClairOct 7
Travis Alexander considers what Billy Wilder’s “Double Indemnity” can teach us about Luigi Mangione and the insurance crisis.
Travis AlexanderMay 15
Randy Rosenthal reviews Juliet Grames’s new Italian mystery "The Lost Boy of Santa Chionia."
Randy RosenthalSep 30, 2024
Caroline Reilly discusses how Scandinavian women writers have become known for a more complex kind of crime fiction.
Caroline ReillySep 28, 2024
Tara Cheesman reviews Keigo Higashino’s “The Final Curtain,” the final book in his Kyoichiro Kaga series.
Tara CheesmanJul 30, 2024
Collin Mitchell talks with William Kotzwinkle about his long, storied career and his latest novel, “Bloody Martini.”
Collin MitchellDec 23, 2023
Jason Namey takes another look at the Coen brothers’ “The Big Lebowski” for its 25th anniversary.
Jason NameyOct 19, 2023
Philip Luke Johnson reviews Fernanda Melchor’s “This Is Not Miami.”
Philip Luke JohnsonAug 11, 2023
Jim Ruland and Terese Svoboda talk about themes of loss, addiction, and rebellion in their latest novels, Make It Stop and Dog on Fire.
Jim Ruland, Terese SvobodaJun 16, 2023
Tara Cheesman reviews Kwei Quartey’s “Last Seen in Lapaz,” a sprawling mystery set in Accra’s underworld.
Tara CheesmanMar 21, 2023
Cody Siler writes about the search for an identifiable self in Patricia Highsmith’s novels and diaries.
Cody SilerMar 13, 2023