Pop Music, Not Confession
Weighing in at a hefty 670 pages, "Unfaithful Music & Disappearing Ink" is an impressively detailed, career-spanning narrative.
"I don't care much about music. What I like is sounds." — Dizzy Gillespie
Weighing in at a hefty 670 pages, "Unfaithful Music & Disappearing Ink" is an impressively detailed, career-spanning narrative.
Joe BonomoOct 11, 2015
"Diary of a Madman" tries to simultaneously hold color and depression — life and death — in a single frame.
Haider ShahbazAug 31, 2015
Janice Littlejohn interviews Carmen Lundy about music, life, and the music life.
Janice Rhoshalle LittlejohnAug 28, 2015
Mark Ribowksy's new biography of Otis Redding aims to illuminate Redding's previously untraced steps, undissected songs, and unexplained tortured soul.
Emily J. LordiAug 6, 2015
Kendrick Lamar's "To Pimp a Butterfly" marks the triumphant revival of the black postmodern epic tradition.
Casey Michael HenryJul 26, 2015
I started the sensationally titled "Words Without Music" with trepidation.
Glen RovenJul 25, 2015
On Doug Sahm's 'Mendocino'
Elizabeth HallJul 20, 2015
Romantic female friendship has made a comeback in pop culture with the television show Girls.
Rachel Vorona CoteJul 16, 2015
Nafis Shafizadeh explores the authenticity and worth of The Santa Barbara Symphony Orchestra's rendition of “City Lights” starring Charlie Chaplin.
Nafis ShafizadehJul 11, 2015
From Bob Dylan's "Great White Wonder," the first rock 'n' roll bootleg, to "Dell" Glover, patient zero of music piracy.
Robert LossJul 1, 2015
Janice Littlejohn interviews Liz Garbus about her new Nina Simone documentary.
Janice Rhoshalle LittlejohnJun 26, 2015
Rock critic Richard Goldstein on embracing pop culture, opening music writing to women, and the complicated legacy of the '60s.
Evelyn McDonnellJun 25, 2015