The Jewish Body in Pain
Sunny S. Yudkoff’s cultural lens is intriguing, but her close readings of literary works are what enliven "Tubercular Capital."
"Writing only leads to more writing." — Colette
Sunny S. Yudkoff’s cultural lens is intriguing, but her close readings of literary works are what enliven "Tubercular Capital."
Arshy AziziFeb 14, 2019
Hadji Bakara reviews Lyndsey Stonebridge’s “Placeless People: Writing, Rights, and Refugees.”
Hadji BakaraFeb 11, 2019
Gill Partington makes time for Christina Lupton’s “Reading and the Making of Time in the Eighteenth Century.”
Gill PartingtonFeb 10, 2019
The intentions of authors still matter, no matter what the critics say.
John FarrellJan 13, 2019
Timothy Aubry responds to Jean-Thomas Tremblay’s LARB review of his “Guilty Aesthetic Pleasures” (December 12, 2018).
Timothy AubryDec 30, 2018
Bob Blaisdell appreciates “Simply Tolstoy” by Donna Tussing Orwin.
Bob BlaisdellDec 25, 2018
Jeff J. Williams talks to Bruce Robbins about George Orwell, the Sokal hoax, and his recent book, “The Beneficiary.”
Jeffrey J. WilliamsDec 23, 2018
Jean-Thomas Tremblay reviews Timothy Aubry’s “Guilty Aesthetic Pleasures.”
Jean-Thomas TremblayDec 12, 2018
Michael Clune reads Jonathan Kramnick’s “Paper Minds: Literature and the Ecology of Consciousness.”
Michael W. CluneDec 10, 2018
Two recent books make the case that the birth of the sciences relied on a series of personal transformations and imaginative leaps.
Sean SilverDec 7, 2018
A literary friendship, scrupulously enshrined.
Greg GerkeNov 21, 2018
"How can the novel, and in particular the realist novel, deal with an event like the flash crash of 2010 or something like high-frequency trading?"
Mikkel Krause FrantzenNov 20, 2018