TMI: Confession and Performance
Brian Glavey reviews Christopher Grobe’s “The Art of Confession:The Performance of Self from Robert Lowell to Reality TV.”
"Writing only leads to more writing." — Colette
Brian Glavey reviews Christopher Grobe’s “The Art of Confession:The Performance of Self from Robert Lowell to Reality TV.”
Brian GlaveyMar 19, 2019
Sunny Xiang reviews Anne Anlin Cheng's "Ornamentalism."
Sunny XiangMar 18, 2019
Yelena Furman navigates “A World of Empires: The Russian Voyage of the Frigate Pallada,” by Edyta M. Bojanowska.
Yelena FurmanMar 10, 2019
Woody Haut picks up “Pulp According to David Goodis” by Jay A. Gertzman.
Woody HautMar 7, 2019
Amit Chaudhuri on literary activism, alternative modernisms, and the comedy of friendship.
Sumana RoyMar 4, 2019
Ed Simon considers “Sor Juana: Or, the Persistence of Pop” by Ilan Stavans.
Ed SimonFeb 27, 2019
Sunny S. Yudkoff’s cultural lens is intriguing, but her close readings of literary works are what enliven "Tubercular Capital."
Arshy AziziFeb 14, 2019
Hadji Bakara reviews Lyndsey Stonebridge’s “Placeless People: Writing, Rights, and Refugees.”
Hadji BakaraFeb 11, 2019
Gill Partington makes time for Christina Lupton’s “Reading and the Making of Time in the Eighteenth Century.”
Gill PartingtonFeb 10, 2019
The intentions of authors still matter, no matter what the critics say.
John FarrellJan 13, 2019
Timothy Aubry responds to Jean-Thomas Tremblay’s LARB review of his “Guilty Aesthetic Pleasures” (December 12, 2018).
Timothy AubryDec 30, 2018
Bob Blaisdell appreciates “Simply Tolstoy” by Donna Tussing Orwin.
Bob BlaisdellDec 25, 2018