The Literary Redline
Emanuela Kucik reviews Richard Jean So’s data history of racism in American publishing.
"Writing only leads to more writing." — Colette
Emanuela Kucik reviews Richard Jean So’s data history of racism in American publishing.
Emanuela KucikJun 17, 2021
Anahid Nersessian talks with Michael Robbins about what the last year has taught us.
Anahid Nersessian, Michael RobbinsJun 9, 2021
J. M. Tyree proposes a Pynchonian band of outsiders and misfits to resist all our current orthodoxies.
Justin St. ClairJun 1, 2021
John Lurz reviews the new book by Karen Zumhagen-Yekplé, "A Different Order of Difficulty: Literature After Wittgenstein."Karen Zumhagen-Yekplé
John LurzMay 21, 2021
Sharon Cameron on Anne Eakin Moss’s “Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940.”
Sharon CameronMay 15, 2021
Rebecca Ariel Porte takes in “Gallery of Clouds” by Rachel Eisendrath.
Rebecca Ariel PorteApr 27, 2021
Andrew Koenig reviews “The Novel and the New Ethics,” the recently published book by Dorothy J. Hale.
Andrew KoenigMar 17, 2021
Ignacio M. Sánchez Prado looks back on the work of Harold Bloom.
Ignacio M. Sánchez PradoMar 2, 2021
Declan Ryan vets “The Poet’s Mistake” by Erica McAlpine.
Declan RyanFeb 24, 2021
Polish poet Tomasz Różycki reflects on his craft of translation, in an essay translated by Mira Rosen-thal.
Mira Rosenthal, Tomasz RóżyckiFeb 22, 2021
Vona Groarke finds little comfort and much inspiration in one of Gerard Manley Hopkins’s “Terrible Sonnets.”
Vona GroarkeFeb 14, 2021
Peggy Ellsberg praises the clarity, reverence, and affection of “The Catholic Writer Today” and “Studying with Miss Bishop” by Dana Gioia.
Peggy EllsbergFeb 7, 2021