A Fiction of Global Terror
Timothy Rideout’s new book shows how precarity among the middle and working classes powers the fears at the heart of 21st-century gothic literature.
"Writing only leads to more writing." — Colette
Timothy Rideout’s new book shows how precarity among the middle and working classes powers the fears at the heart of 21st-century gothic literature.
Tracy Fernandez RysavyFeb 19
Five writers and AI researchers discuss the future of literature.
Dashiel Carrera, Katy Gero, Christian Bök, Nick Montfort, Amy CatanzanoFeb 14
In the wake of Bob Weir’s death, a new book emerges on the Grateful Dead’s overlooked engagement with literature.
Christian KriticosFeb 12
Terry Eagleton’s recent book employs his trademark witty style in an attempt to say something new about the era that birthed modernism.
Arleen IonescuFeb 9
Oedipal iterations, from Sophocles to Arundhati Roy.
Ankhi MukherjeeFeb 6
Aran Ward Sell reconsiders the legacy and complex overlapping ‘failures’ of Mervyn Peake’s final novel, ‘Titus Alone.’
Aran Ward SellJan 19
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
Michael BarronJan 15
On László Krasznahorkai’s sentences and what they require of us.
Nyuol Lueth TongJan 14
Chloe Garcia Roberts considers J. M. Coetzee and Mariana Dimópulos’s new book on translation.
Chloe Garcia RobertsDec 19, 2025
Zach Gibson meditates on “late style” in the work of postmodernists like Thomas Pynchon who are still publishing well into their eighties.
Zach GibsonDec 14, 2025
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Jon RepettiDec 9, 2025
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Cynthia ZarinNov 17, 2025