A Deep, Unerring Camaraderie: On “The Elephant 6 Recording Co.”
Grant Sharples reviews the new music documentary “The Elephant 6 Recording Co.”
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Grant Sharples reviews the new music documentary “The Elephant 6 Recording Co.”
Grant SharplesNov 8, 2023
Theresa Lin pays tribute to the at times revolting charm of filmmaker John Waters, whose unlikely exhibition is now on view at the Academy Museum.
Theresa LinNov 8, 2023
Marlena Williams and S. Trimble discuss their shared work on the queer resonances of “The Exorcist.”
Marlena Williams, S. TrimbleOct 27, 2023
In a preview of the new LARB Quarterly, no. 39: “Air,” Corina Zappia considers the state of travel for single women.
Corina ZappiaOct 27, 2023
Chris Yogerst reviews Scott Eyman’s “Charlie Chaplin vs. America: When Art, Sex, and Politics Collided.”
Chris YogerstOct 26, 2023
Brandon R. Grafius reviews Aviva Briefel and Jason Middleton’s “Labors of Fear: The Modern Horror Film Goes to Work.”
Brandon R. GrafiusOct 25, 2023
Anne Anlin Cheng recalls her first, foreign Barbie experience.
Anne Anlin ChengOct 20, 2023
In a preview of the new LARB Quarterly, no. 39: “Air,” Meghan Racklin considers the life and imperfectly rendered image of Empress Elisabeth of...
Meghan RacklinOct 20, 2023
Jason Namey takes another look at the Coen brothers’ “The Big Lebowski” for its 25th anniversary.
Jason NameyOct 19, 2023
Alessandro Camon discusses the role storytelling played in the success of the WGA/SAG-AFTRA strike in Hollywood.
Alessandro CamonOct 15, 2023
Amidst a new wave of conservative panic about child trafficking, Evan McGarvey revisits Ben Affleck’s “Gone Baby Gone.”
Evan McGarveyOct 13, 2023
Eliana Rozinov examines the figure of Midge as a mythical phenomenon, a pregnant doll, and a variation of the “promising young woman” trope.
Eliana RozinovOct 12, 2023