Self-Narrative TV in Uncertain Times
Madeline Ullrich examines self-narrative television through the lenses of "Somebody Somewhere" and "Life & Beth."
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Madeline Ullrich examines self-narrative television through the lenses of "Somebody Somewhere" and "Life & Beth."
Madeline UllrichAug 17, 2022
Lauren Collee shows how time-travel movies of the 1980s reinforced Christian ideals of destiny, presenting abortion as a disruption to a “natural” timeline.
Lauren ColleeAug 13, 2022
Martha Southgate ponders the formative experiences and changing landscape of going to "The Movies."
Martha SouthgateAug 10, 2022
Chris Yogerst reviews Richard Schickel’s “The Famous Mr. Fairbanks: A Story of Celebrity.”
Chris YogerstAug 7, 2022
Chris Yogerst reviews Jon Lewis’s book about Hollywood in the ’60s and ’70s, “Road Trip to Nowhere.”
Chris YogerstJul 30, 2022
Bharat Jayram Venkat looks at Nella Larsen’s novella, “Passing,” along with its film adaptation, to articulate a theory of “weather fiction.”
Bharat Jayram VenkatJul 30, 2022
Matthew Sorrento compares two recent books on the work of the Coen brothers.
Matthew SorrentoJul 29, 2022
Harrison Blackman looks at three recent books about privacy, surveillance, and film aesthetics.
Harrison BlackmanJul 12, 2022
Lori J. Marso uses Simone De Beauvoir and a feminist phenomenological lens to consider Audrey Diwan’s “Happening,” a film adapted from the work of Annie Ernaux.
Lori MarsoJun 30, 2022
Vinícius Portella forges the historical and intellectual connection between Maya Deren’s cinema and her reading of Gregory Bateson’s concept of the “plateau.”
Vinícius PortellaJun 20, 2022
Erik Morse provides three flashes of the late cinematic icon Monica Vitti.
Erik MorseJun 13, 2022
Dante A. Ciampaglia looks back over the long career of avant-garde film pioneer Jonas Mekas.
Dante A. CiampagliaJun 9, 2022