The Marriage Plot: Three Versions of “Wolf Hall”
The story of Henry VIII and Anne Boleyn has been told and retold from hundreds of angles. So why did Hilary Mantel’s version catch fire?
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
The story of Henry VIII and Anne Boleyn has been told and retold from hundreds of angles. So why did Hilary Mantel’s version catch fire?
Laurie WinerApr 30, 2015
A reflection on war literature 40 years after the Fall of Saigon.
Matt GallagherApr 30, 2015
If "There's Something I Want You to Do" contains a lesson, it is that inventing one's own decalogue — one's own set of rules, one's own morality — carries quite a risk, not of damnation, but of existential exhaustion.
Susannah ShiveApr 25, 2015
Part 3 of a 3-Part Series
William PierceApr 24, 2015
Part 2 of a 3-Part Series
William PierceApr 23, 2015
Part 1 of a 3-Part Series
William PierceApr 22, 2015
Alex Norcia discusses Stephen Marche's new novel in the context of the second gilded age.
Alex NorciaApr 20, 2015
An interview with James Tadd Adcox, author of Does Not Love.
LARB AVApr 17, 2015
What is good about McGuane's stories is their indirection, and the sense that just under the surface is a swelling about to turn into a terror.
John KeebleApr 17, 2015
Powell had bad luck, and she received less attention than her male colleagues, but throughout it all, she kept writing.
Victoria PattersonApr 14, 2015
Panio Gianopoulos talks to Christian Kiefer about his new novel.
Panio GianopoulosApr 10, 2015
In a sense, "Satin Island" resembles a genre for which Tom McCarthy has an avowed fondness, one listed on the cover: that brash, repetitious vessel of rousing ideology, the manifesto.
Daniel PearceMar 26, 2015