A Breath of Fresh, Confusing Air in American Crime Fiction
Elena Avanzas Álvarez discusses Megan Miranda’s refreshing take on contemporary crime fiction in “All The Missing Girls.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Elena Avanzas Álvarez discusses Megan Miranda’s refreshing take on contemporary crime fiction in “All The Missing Girls.”
Elena Avanzas ÁlvarezJun 29, 2016
Nayomi Munaweera has written a second novel of real power and grace, says Melissa Sipin.
Melissa R. SipinJun 28, 2016
Amalia Negreponti reviews Graham Swift’s “Mothering Sunday: A Romance,” a book on love, lust, and power.
Amalia NegrepontiJun 25, 2016
Here is your deranged consciousness.
Ratik AsokanJun 24, 2016
Irony states the opposite of what it intends to mean. But what if no one spots it and takes the ironic statement literally?
Brian FinneyJun 20, 2016
A cautionary tale of love and internet celebrity.
Houman BarekatJun 19, 2016
In "The Course of Love", Alain de Botton debunks the myth of “happily ever after”.
Yoona LeeJun 19, 2016
Emma Cline’s “The Girls” is the coming-of-age story of a 14-year-old girl who falls in with a Manson-like cult just months before a night of brutal murders.
Joselyn TakacsJun 14, 2016
Whitney Terrell on breaking the traditional form of the war novel.
Anne KniggendorfJun 11, 2016
A review of Yaa Gyasi's new novel "Homegoing."
Mike BroidaJun 11, 2016
Julian Barnes represents the art world, in fiction and nonfiction.
Rebecca J. NovelliJun 10, 2016
Budget travel tips from an 18th-century aristocrat.
Daniel ElkindJun 9, 2016