Retrofuturist Feminism: Lidia Yuknavitch’s “The Book of Joan”
Lidia Yuknavitch mines literary and political history for timely heroines based on the iconic Joan of Arc and her contemporary, Christine de Pizan.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Lidia Yuknavitch mines literary and political history for timely heroines based on the iconic Joan of Arc and her contemporary, Christine de Pizan.
Anne JamisonApr 18, 2017
Eric Newman appreciates the lessons of “After the Blue Hour” by John Rechy.
Eric NewmanApr 17, 2017
Declan Ryan reviews two collections — one of poems, the other of stories — by Adam O’Riordan.
Declan RyanApr 16, 2017
Eric Gudas pores over “Family Lexicon” by Natalia Ginzburg.
Eric GudasApr 15, 2017
Kim Fay on Donna Miscolta's latest book.
Kim FayApr 13, 2017
“Temporary People” delves into the lives, myths, and vocabularies of the Indians, Pakistanis, Bangladeshis, and Filipinos who make up UAE’s subaltern class.
Jacob Rama BermanApr 12, 2017
Colin Marshall listens closely to “Absolutely on Music: Conversations with Seiji Ozawa” by Haruki Murakami.
Colin MarshallApr 10, 2017
David Breithaupt interviews Michael Tolkin about his novel “NK3.”
David BreithauptApr 9, 2017
The pathology of whiteness is the foundation for Hari Kunzru’s “White Tears,” a novel that explores the roots and routes of black music and Jim Crow.
Leah MirakhorApr 5, 2017
Morten Høi Jensen considers the form of “Transit: A Novel” by Rachel Cusk.
Morten Høi JensenApr 3, 2017
Tope Folarin looks at Ngugi wa Thiong'o's "Devil on the Cross," which is being reissued this month by Penguin.
Tope FolarinApr 3, 2017
Libby Flores reviews Deb Olin Unferth's "Wait Till You See Me Dance."
Libby FloresMar 31, 2017