Observing Terror: A Conversation with Philip Ó Ceallaigh, Translator of “For Two Thousand Years”
Scott Timberg interviews Philip Ó Ceallaigh, who translated “For Two Thousand Years,” a loosely autobiographical work by Romanian Jew Mihail Sebastian.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Scott Timberg interviews Philip Ó Ceallaigh, who translated “For Two Thousand Years,” a loosely autobiographical work by Romanian Jew Mihail Sebastian.
Scott TimbergJun 14, 2018
Lois Zamora looks at contemporary American politics through the lens of "The Autumn of the Patriarch," a “dictator novel” by Gabriel García Márquez.
Lois Parkinson ZamoraJun 14, 2018
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Lily MeyerJun 13, 2018
Allegra Huston’s debut novel is suffused with sensual feeling.
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As part of a comprehensive guide to Christa Wolf’s often controversial literary history, "Eulogy for the Living" provides a perfect starting point.
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Shehryar FazliJun 9, 2018
Nathan Scott McNamara reviews Helen DeWitt’s collection “Some Trick,” where we are granted access to 13 more of her mad performances.
Nathan Scott McNamaraJun 8, 2018
Rather than dystopian fiction, it’s more apt to call Ahmed Saadawi’s “Frankenstein in Baghdad” fiction of dystopian times.
Sam MetzJun 5, 2018
Alexander C. Kafka finds James Wood’s “Upstate” a stirring novel of quiet, careful craftsmanship.
Alexander C. KafkaJun 5, 2018
Andre Hardy interviews Mark Sarvas about his new novel, "Memento Park."
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In DeWitt’s new collection “Some Trick,” keen insights give a distinctive glimpse at how moments of creation blossom.
Adam FalesMay 29, 2018
The duality that Sylvia Plath wrote about in her thesis provides the basis for the personality of Esther, the protagonist of Plath’s “The Bell Jar.”
Kelly Marie CoyneMay 26, 2018