Not a “No Comment” Person: On Lindsey Hilsum’s “In Extremis: The Life and Death of the War Correspondent Marie Colvin”
Stephanie Sy-Quia reviews “In Extremis: The Life and Death of the War Correspondent Marie Colvin” by Lindsey Hilsum.
"I don't think anyone should write their autobiography until after they're dead." — Samuel Goldwyn
Stephanie Sy-Quia reviews “In Extremis: The Life and Death of the War Correspondent Marie Colvin” by Lindsey Hilsum.
Stephanie Sy-QuiaJan 16, 2019
Lauren Sarazen praises “Hollywood’s Eve: Eve Babitz and the Secret History of L.A.” by Lili Anolik.
Lauren SarazenJan 14, 2019
"Nobody fully understands Alcibiades, which is why he continually fascinates." Ryan Shinkel on "Nemesis: Alcibiades and the Fall of Athens."
Ryan ShinkelDec 31, 2018
Geoff Nicholson takes stock of “Inge Morath: Magnum Legacy” by Linda Gordon.
Geoff NicholsonDec 26, 2018
Bob Blaisdell appreciates “Simply Tolstoy” by Donna Tussing Orwin.
Bob BlaisdellDec 25, 2018
“In some ways, ‘Chalk’ takes readers on a failed journey.” John Glassie on Joshua Rivkin’s new biography of Cy Twombly.
John GlassieDec 16, 2018
Robert Minto looks at “A Writer of Our Time: The Life and Work of John Berger” by Joshua Sperling.
Robert MintoDec 12, 2018
On "After Emily: Two Remarkable Women and the Legacy of America’s Greatest Poet" and the fraught history of Emily Dickinson's editors.
Lynne FeeleyDec 11, 2018
Morten Høi Jensen contemplates the fruitful sufferings of Nietzsche, as chronicled in recent books by Sue Prideaux and John Kaag.
Morten Høi JensenDec 5, 2018
Sylvia Brownrigg revisits the work of Anthony Powell, a Proust of midcentury Britain.
Sylvia BrownriggNov 22, 2018
Jason Barker reviews "A World to Win: The Life and Works of Karl Marx."
Jason BarkerNov 14, 2018
The most powerful man in Hollywood didn’t make movies. He was a shady journalist.
Chris YogerstNov 11, 2018