Certain, but Not Final
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
"I don't think anyone should write their autobiography until after they're dead." — Samuel Goldwyn
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
Winnie WangAug 25, 2025
M. G. Lord watches National Geographic’s new documentary “Sally.”
M. G. LordJul 27, 2025
Emmeline Clein interviews Tourmaline about her new book “Marsha: The Joy and Defiance of Marsha P. Johnson.”
Emmeline CleinJul 10, 2025
Joshua D. Rothman reviews Zaakir Tameez’s biography “Charles Sumner: Conscience of a Nation.”
Joshua D. RothmanJun 3, 2025
Sarah Moorhouse reads Sue Prideaux’s “Wild Thing: A Life of Paul Gauguin.”
Sarah MoorhouseJun 2, 2025
Courtney Thomas interviews Brendan Greaves about “Truckload of Art: The Life and Work of Terry Allen.”
Courtney ThomasMay 19, 2025
Victoria Horrocks re-remembers Vanessa Bell.
Victoria HorrocksMay 11, 2025
In a preview from LARB Quarterly no. 44, “Pressure,” Sophia Stewart explores the poetry and politics of Julia de Burgos.
Sophia StewartMay 11, 2025
Åsmund Borgen Gjerde excavates the link between Ole Ivar Lovaas’s Nazi past and his UCLA-based work on “curing” autistic children.
Åsmund Borgen GjerdeApr 10, 2025
Michael Knapp reviews Mike Singer’s “Why So Serious? The Untold Story of NBA Champion Nikola Jokic.”
Michael KnappMar 31, 2025
In this new installment of an ongoing series, LARB founder Tom Lutz reflects on Achmed Abdullah’s significance in the year 1925.
Tom LutzMar 31, 2025
Akanksha Singh reviews Mayukh Sen’s “Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star.”
Akanksha SinghMar 4, 2025