Impossible Choreographies: On the 35th Bienal de São Paulo
Oluremi C. Onabanjo describes the wealth of art exhibited at the 35th Bienal de São Paulo.
"Art is making something out of nothing and selling it." — Frank Zappa
Oluremi C. Onabanjo describes the wealth of art exhibited at the 35th Bienal de São Paulo.
Oluremi C. OnabanjoNov 19, 2023
Cal Revely-Calder finds much to appreciate, and more to decry, in Omar Kholeif’s “Internet_Art: From the Birth of the Web to the Rise of NFTs.”
Cal Revely-CalderNov 11, 2023
Theresa Lin pays tribute to the at times revolting charm of filmmaker John Waters, whose unlikely exhibition is now on view at the Academy Museum.
Theresa LinNov 8, 2023
Jonathan Alexander examines L.A.-based artist Elliott Hundley’s aesthetic of intimacy.
Jonathan AlexanderNov 5, 2023
Maya Hayda reviews Chang Yuchen’s “Coral Dictionary Vol. 1: 2019–2022.”
Maya HaydaNov 4, 2023
Annie Buckley reviews the “Made in L.A. 2023” exhibit at the UCLA Hammer Museum.
Annie BuckleyOct 31, 2023
Heather Cass White reviews Robyn Schiff’s new book of poetry, “Information Desk: An Epic.”
Heather Cass WhiteOct 23, 2023
Conor Williams reviews the new collection of David Wojnarowicz’s correspondence, “Dear Jean Pierre.”
Conor WilliamsOct 14, 2023
Johanna Isaacson reviews Abigail Susik’s anthology “Resurgence! Jonathan Leake, Radical Surrealism, and the Resurgence Youth Movement, 1964–1967.”
Johanna IsaacsonSep 30, 2023
Samuel Fury Childs Daly reviews artist Matthew Barney’s new film “Secondary.”
Samuel Fury Childs DalySep 27, 2023
Jessica Rizzo reviews three new books discussing where NFTs came from, where they are going, and whether we should follow—Amy Whitaker and Nora Burnett Abrams’s “The Story of NFTs: Artists, Technology, and Democracy,” Edward Lee’s “Creators Take Control: How NFTs Revolutionize Art, Business, and Entertainment,” Omar Kholeif’s “Internet Art: From the Birth of the Web to the Rise of NFTs.”
Jessica RizzoSep 12, 2023
Veronica Gonzalez Peña and Aura Rosenberg have a conversation about their forthcoming film.
Veronica Gonzalez PeñaAug 25, 2023