What Greta Gerwig Got Right: Rethinking Amy March in Light of May Alcott Nieriker
The real-life model for Louisa May Alcott’s Amy March was a pioneering champion of women artists.
"Art is making something out of nothing and selling it." — Frank Zappa
The real-life model for Louisa May Alcott’s Amy March was a pioneering champion of women artists.
Kelly BlewettMar 31, 2020
Yuval Sharon has made it clear to the opera world that Los Angeles has a unique style that reflects its immensity.
James C. TaylorMar 28, 2020
Two premier translators on the pleasures and pitfalls of rendering Ibsen into English.
Kathleen Maris PaltrineriMar 28, 2020
A comedian turned art critic talks about the relationship between those seemingly disparate disciplines.
Gracie HadlandMar 22, 2020
Orit Gat considers YouTube and how 2006 marked the peak, decline, and end of a certain kind of digital optimism.
Orit GatMar 17, 2020
Chris Yogerst praises two books by Mark A. Vieira that document pre-Code Hollywood history through vivid pictures and astute storytelling.
Chris YogerstMar 14, 2020
Allison Grimaldi Donahue presents an excerpt from her translation of Italian art critic and feminist activist Carla Lonzi’s “Autoritratto.”
Allison Grimaldi Donahue, Carla LonziMar 13, 2020
Michele Asselin presents her photographs of Hollywood Park Racetrack in its final days.
Michele AsselinMar 9, 2020
Jonathan Alexander explores a retrospective of artist Nayland Blake’s work now on view at the Institute of Contemporary Art in Los Angeles.
Jonathan AlexanderMar 7, 2020
Reconstructing the historical context of a famous American photograph.
Lennard J. DavisMar 4, 2020
Holly Connolly interviews director Zia Anger on “My First Film,” a film-theater hybrid performance on the nature of process, failure, and self-disclosure.
Holly ConnollyFeb 20, 2020
Richard M. Cho appreciates "The Man in the Red Coat," the new biography of Samuel Jean Pozzi by Julian Barnes.
Richard M. ChoFeb 18, 2020