Sui Generis: Helen Oyeyemi’s “Gingerbread”
Helen Oyeyemi's "Gingerbread" is a Rubik's Cube of a book, with all the frustration and delight that toy entails.
"For a long time now I haven't been I."
— Fernando Pessoa, The Book of Disquiet
Helen Oyeyemi's "Gingerbread" is a Rubik's Cube of a book, with all the frustration and delight that toy entails.
Anita FelicelliMar 5, 2019
Marilyn Macron exhumes the dark history of Ernst Haffner’s “Blood Brothers.”
Marilyn MacronMar 4, 2019
Amit Chaudhuri on literary activism, alternative modernisms, and the comedy of friendship.
Sumana RoyMar 4, 2019
A dictatorship loosens its grip and a lot of bad memories come tumbling out.
Andrew Stroehlein, Steve SwerdlowMar 3, 2019
Peter Holslin glosses the Arab avant-garde electro shaabi music.
Peter HolslinMar 3, 2019
Jean Ray is canny in his writing of the uncanny — he is aware of the pitfalls of the genre and almost always manages to avoid hyperbolic verbosity.
Leonid BilmesMar 2, 2019
Tobias Haberkorn asks Nick Srnicek about his recent book, “Platform Capitalism,” monopolies, and planned economies.
Tobias HaberkornMar 2, 2019
Robert Zaretsky ponders “Diderot and the Art of Thinking Freely” by Andrew S. Curran.
Robert ZaretskyMar 1, 2019
Victoria DaileyMar 1, 2019
A series of conversations on the state of Catalan literature. In this inaugural edition, Azareen Van der Vliet Oloomi talks to Quim Monzó.
Azareen Van der Vliet OloomiMar 1, 2019
Nadia Beard follows the threads of “Virtuoso,” a “vivid and visceral” novel by Yelena Moskovich.
Nadia BeardFeb 28, 2019
Ed Simon considers “Sor Juana: Or, the Persistence of Pop” by Ilan Stavans.
Ed SimonFeb 27, 2019