The Defiant Muse
Alice Blackhurst looks at "Portrait of a Lady on Fire," the latest film from Céline Sciamma.
"For a long time now I haven't been I."
— Fernando Pessoa, The Book of Disquiet
Alice Blackhurst looks at "Portrait of a Lady on Fire," the latest film from Céline Sciamma.
Alice BlackhurstDec 22, 2019
Vadim Shneyder disentangles “A Double Life,” an important 19th-century novel by Karolina Pavlova, translated by Barbara Heldt.
Vadim ShneyderDec 21, 2019
A Somalian refugee’s story of hardship, captivity, and endurance in Libya, as shared with Human Rights Watch.
John ThorneDec 21, 2019
China-based writer Alec Ash recounts his experience shadowing Hong Kong protester Mo Ming in the heat of this year’s riots.
Alec AshDec 20, 2019
In her series on Catalan literature, Azareen Van der Vliet Oloomi speaks with Izaskun Arretxe, head of Institut Ramon Llull in Barcelona.
Azareen Van der Vliet OloomiDec 16, 2019
Katie Gaddini reviews “Leaving the Witness: Exiting a Religion and Finding a Life,” the debut memoir from Amber Scorah.
Katie GaddiniDec 15, 2019
Randy Rosenthal unpacks “97,196 Words: Essays” by Emmanuel Carrère, translated from the French by John Lambert.
Randy RosenthalDec 14, 2019
Olga Ware appreciates “Zuleikha,” a novel by Guzel Yakhina, translated from the Russian by Lisa C. Hayden.
Olga WareDec 14, 2019
Keija Parssinen reviews “10 Minutes 38 Seconds in This Strange World,” the Booker–shortlisted novel by Elif Shafak.
Keija ParssinenDec 14, 2019
The exploitative mining of coal was central to Conrad’s critique of colonial capitalism.
Douglas KammenDec 11, 2019
Katie Da Cunha Lewin reviews a new translation of Marguerite Duras’s major essays and nonfiction.
Katie da Cunha LewinDec 11, 2019
Matthew Longo considers the 30th anniversary of the Berlin Wall’s fall and the sociopolitical implications of it — both now and then.
Matthew LongoDec 10, 2019