Paul Thompson was born in Winnipeg, Canada, and raised in Minneapolis. His criticism, essays, and profiles have appeared in GQ, Pitchfork, New York, Playboy, The Washington Post, and Rolling Stone, among other publications; his fiction has appeared in Hobart. Since 2013, he has lived in Los Angeles, where from 2022 until 2025 he was the senior editor of the Los Angeles Review of Books.
Paul Thompson
Articles
Perfect, or Whatever
Paul Thompson speaks with Mike Powell about his debut novel, “New Paltz, New Paltz.”
I Became a Better Magician
Paul Thompson reviews Nathan Fielder’s “The Rehearsal.”
“Who’s Eve Babitz?”
Paul Thompson scratches the surface of Eve Babitz’s Los Angeles on the occasion of her birthday.
Become Death: On Christopher Nolan's “Oppenheimer”
Paul Thompson considers Chris Nolan’s “Oppenheimer” and the atomic bomb on-screen.
As Dark as It Can Be
Permission to Meander: A Conversation with Drew Millard
Paul Thompson speaks with Drew Millard about his new book, “How Golf Can Save Your Life.”
Spring Break Forever
On its 10th anniversary, Paul Thompson revisits Harmony Korine’s “Spring Breakers.”
The Half-Century in Bullshit: On Peter Bogdanovich’s “Paper Moon” and Robert Greene’s “The 48 Laws of Power”
Paul Thompson examines the metabolization of bullshit into our lives, by way of analyzing Peter Bogdanovich’s film “Paper Moon” and Robert Greene’s book “The 48 Laws of Power.”
What Are You Looking For?: A Conversation with Open Mike Eagle
Paul Thompson interviews rapper Open Mike Eagle for issue no. 36 of The LARB Quarterly.
It’s All Pastiche: On Todd Field’s “TÁR”
Paul Thompson reviews Todd Field’s “TÁR.”
I Don’t Worry About My Oeuvre: A Conversation with John Carpenter
Paul Thompson interviews John Carpenter about the state of horror, navigating Hollywood, and the movies he didn’t make.
The Girl and the Outlaw: Jordan Peele’s “Nope” and the End of the Alien
Paul Thompson explores the strangeness of the film industry in L.A. and its reckoning with racist histories and the natural world in Jordan Peele's "Nope."
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