Jean Hey was a journalist in South Africa before immigrating to the United States. Her essays have appeared in The New York Times Magazine, The Plain Dealer, Chicago Tribune, Solstice Literary Magazine, The MacGuffin, and Arrowsmith Journal. She holds a dual-genre MFA in fiction and nonfiction from Bennington College and recently completed a collection of memoiristic essays about immigration and identity.
Jean Hey
Articles
Enduring Divides: On Eve Fairbanks’s “The Inheritors”
Jean Hey considers Eve Fairbanks’s “The Inheritors: An Intimate Portrait of South Africa’s Racial Reckoning.”
Very Much Alive: On Philip Ó Ceallaigh’s “Trouble”
Jean Hey lands in “Trouble,” the latest short story collection from Philip Ó Ceallaigh.
Insurmountable Divides: On Ethel Rohan’s “In the Event of Contact”
Jean Hey reviews Ethel Rohan’s new story collection “In the Event of Contact,” immigrant tales grounded in a distinctly Irish grit.
Celestial Events: On Rachel Barenbaum’s “A Bend in the Stars”
Jean Hey follows the trajectories of “A Bend in the Stars,” a debut novel by Rachel Barenbaum.
An Account at the Heartbreak Bank: On Maile Meloy’s “Do Not Become Alarmed”
Jean Hey can’t put down “Do Not Become Alarmed,” the latest novel by Maile Meloy.
A Wanderer’s Journey: On Eileen Battersby’s “Teethmarks on My Tongue”
Jean Hey reviews “Teethmarks on My Tongue,” a coming-of-age novel by Eileen Battersby.
A Separation: Sheila Kohler’s “Once We Were Sisters”
Jean Hey looks at Sheila Kohler's new memoir.
The Land Down Under
Jean Hey reviews David Francis’s novel "Wedding Bush Road."
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