Charles Taylor is the author of Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American ’70s. He lives in New York.
Charles Taylor
Articles
Answers No One Wants to Hear
Charles Taylor reviews Michel Houellebecq's "Submission."
On the Hoof, On the Barrel: “On Prime Cut”
"Prime Cut" is a sardonic report from the battle to define what America was and who it was for.
Bebop/Silence: On Hickey & Boggs
"The final irony of Hickey & Boggs is that this movie about isolation and displacement is an affirmation of a real-life partnership."
Three the Hard Way: The Return of Sleater-Kinney
On Sleater-Kinney’s legacy upon the release of their vinyl boxset, "Start Together."
Eight Arms to Hold You
On 'A Hard Day's Night'
Let Me Whisper in Your Ear
On the mysterious Lewis
Support Your Local Wussy
The sad transcendence of Wussy's 'blue-collar bohemianism'
Escape Artist
Charles Taylor reviews Johnny Moncada’s unseen photographs of Veruschka, the timeless model from the 1960s.
Meryl Streep’s Hunger Games
Atmosphere for Lovers and Thieves: Leos Carax’s “Mauvais sang”
French director Leos Carax’s 1986 “Mauvais sang”
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201508primecut.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201411Hickey_and_boggs_Poster.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201411Sleater.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201408bfi-00o-67x.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201407lewisimage.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201405attica.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201404Veruschka1.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201403streep.jpg)