The Editor Is Willing to Buy the Manuscript
Timo Schaefer reviews Mateo Jarquín’s “The Sandinista Revolution: A Global Latin American History.”
Timo Schaefer reviews Mateo Jarquín’s “The Sandinista Revolution: A Global Latin American History.”
Irene Katz Connelly reviews Jo Hamya’s novel “The Hypocrite.”
Raffi Joe Wartanian reviews Nancy Agabian’s “The Fear of Large and Small Nations.”
Meghan Racklin reviews “Janet Planet,” the debut feature film from playwright Annie Baker.
Rhoda Feng reviews Téa Obreht’s new novel “The Morningside.”
Charles J. Holden reviews Doris Kearns Goodwin’s memoir, “An Unfinished Love Story: A Personal History of the 1960s.”
Paul Vangelisti reviews Neeli Cherkovski’s “Selected Poems: 1959–2022.”
In his review of “Poor Charlie's Almanack,” Dave Mandl delights in Charles T. Munger’s skewering of contemporary investing and business practices.
Gideon Leek reviews the reissue of Caroline Blackwood’s 1976 novel “The Stepdaughter.”
Ashley Dawson reviews Stephen Maher and Scott Aquanno’s “The Fall and Rise of American Finance” and Brett Christophers’s “The Price Is Wrong.”
Michael Eby reviews “Behind the Startup: How Venture Capital Shapes Work, Innovation, and Inequality” by Benjamin Shestakofsky.
Sunny S. Yudkoff reviews “Gretel and the Great War," Adam Ehrlich Sachs’s new abecedarian WWI novel.
Safa Khatib considers theories of Judaism, antisemitism, Zionism, and anti-Zionism in her review of “Critical Theories of Anti-Semitism” by Jonathan Judaken.
Mikaela Dery reviews Sable Yong’s “Die Hot with a Vengeance: Essays on Vanity.”
Benno Weiner reviews Edward Wong’s “At the Edge of Empire: A Family’s Reckoning with China.”
Minsoo Kang examines the persistence of Korean nationalism in the South Korean horror thriller “Exhuma,” directed by Jang Jae-hyun.