The Ecological Uncanny: On the “Southern Reach” Trilogy
How might the Weird respond to the anxieties of the 21st century? Jeff VanderMeer's hallucinatory "Southern Reach" trilogy provides one possible answer.
How might the Weird respond to the anxieties of the 21st century? Jeff VanderMeer's hallucinatory "Southern Reach" trilogy provides one possible answer.
I most remember reading "Chelsea Girls" in the dark, at bars around San Francisco in the '90s …
Things I did not do while reading Sven Birkerts's "Changing the Subject."
A Yi's new novella is a refreshingly non-verbose, verb-driven, first-person narrative of taut tension.
Buruma's essays are not polemical or revisionist. Instead, he constantly retouches, rethinks, contrasts, usually and mordantly laying cant and dogma to rest.
Seeing Galileo from his own perspective is rather like looking just once through his telescope.
Stoll provides a history of how theology, the arts, and the sciences stimulated each other to deeper understandings of our relationship to nature.
"The Country of Ice Cream Star" shares an interest in tearing down modern civilization so that the cornerstone of that civilization might be inspected.
Few subjects seem, at first glance, as detached from historical study, or indeed from one another, as globalization and the neurosciences.
Michael Allen Zell's "Run Baby Run" (Lavender Ink, 2015) uses the serialized crime novel to dissect urban New Orleans.
Lauren Groff's "Fates and Furies" is a portrait of a marriage in two parts: "Fates" (his) and "Furies" (hers).
It is difficult not to romanticize the Havel story.
The intense appeal of the Neapolitan novels is the intimacy they provide as we follow Elena and Lila's involvement in each other's lives.
Jonathan Franzen could never entirely overcome his youthful conviction that reading was supposed to be more fun than work.
Eric Jarosinski first made a name for himself as a Twitter aphorist; he now continues his project in book form with "Nein. A Manifesto."
Barry Yourgrau is forced to confront his forever-mushrooming mess and, by extension, himself, in "Mess."