The Thief, The Friend, His Wife, and Her Lover
Adulterous prurience served cold.
Adulterous prurience served cold.
When it comes to story, we should all be Mark Watney.
Harry Frankfurt has elegantly and brilliantly undergirded the centrist liberal's rejection of equality as a goal.
On the sesquicentennial of Lewis Carroll's famous story, Alice remains vaguely countercultural, obscurely intellectual, somewhat feminist — and absolutely vital to modern culture.
"Gifts for the One Who Comes After" moves freely between Mansfield Park and Bradburyland, finding that hidden area where the two overlap.
Anti-Semitism is always being updated.
Eve Wood reviews Adam Kirsch's "Emblems of the Passing World," a book combining his own poems and the photography of August Sander.
The matter of “Frenchness,” and its competing hard and soft contours, is at the heart of both Modiano’s and Houellebecq’s most recent books.
Any history of anarchism — like Andrew Cornell's new book "Unruly Equality" — is a third-place history of leftism.
How Carl Phillips became one of America's most eminent writers.
"Words are actions," Andy Robinson writes. "They can caress or kill."
Desiree Zamorano reviews "The Skull of Pancho Villa."
Murray took five careful years to craft "The Mark and the Void," which exceeds "Skippy Dies" in wit and vigor and is a more polished and mature work.
Angel luis Colón reviews Robert Crais's The Promise.
Rob Latham reviews Michael Moorcock's "The Whispering Swarm."