Monsters of the Anthropocene
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Reviews
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
The Russian-language reception of Crave’s ‘Heated Rivalry’ shows how tenderness, desire, and character complexity shape a phenomenon that transcends borders.
Emerald Fennell’s sexed-up take on Emily Brontë’s gothic romance feels empty.
The most famous line in literature doesn’t mean what ‘Hamnet’ thinks it means.
Evan Brier’s recent book conducts a depressing literary autopsy, complete with case studies.
Brendan Boyle considers Coralie Fargeat’s “The Substance.”
Two recent books on Idi Amin’s Uganda present an African mirror for Trump’s United States to see itself.
An exhibition charts the ties between East Asia and Latin America, from the colonial era to the new Cold War.
Andrew Martin’s new novel is a chronicle of the overeducated and underachieving stumbling through a post-pandemic haze.
Samuel Cohen’s anthology on book banning diagnoses a recent swell in censorship that’s problematic for more reasons than you’d think.
German director Mascha Schilinski’s visually evocative 2025 film suggests the influence of Francesca Woodman’s photographic work.
The Francis Crick of Matthew Cobb’s new biography was both the consummate insider and a scientific outlier.
In her latest short story collection, Ayşegül Savaş considers lives lived apart.
Keith S. Wilson’s visually experimental poetry examines the ‘asymmetries of risk’ and repetition to expose ‘how violence enters the body as habit.’