Monsters of the Anthropocene
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Reviews
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Sophie Bishop’s new book tracks the pressures artists face to conform their ‘brands’ to the demands of the algorithmic boss.
Should historians look at violent revolutions with rose-colored glasses while vindicating the terror that carried them forth?
Timothy Rideout’s new book shows how precarity among the middle and working classes powers the fears at the heart of 21st-century gothic literature.
Joan Copjec’s new book charts the conceptual affinities and historical convergences between psychoanalysis and Islamic philosophy.
Brendan Boyle considers Coralie Fargeat’s “The Substance.”
A cheerful collection of Turkish erotica, translated by Burcu Karahan, offers insights into early 20th-century sexuality in Istanbul.
How the university entrance exam and residency permits structure life for in China.
Amid cinema’s decline, two new books by A. S. Hamrah resist defeatism.
A major new study puts the visual paradoxes and optical illusions of baroque art at the heart of theological debates of the Counter-Reformation.
In the wake of Bob Weir’s death, a new book emerges on the Grateful Dead’s overlooked engagement with literature.
Chris Horton’s ‘Ghost Nation’ and Ching Kwan Lee’s ‘Forever Hong Kong’ follow protesters and revolutionaries who, successfully or otherwise, challenged the power of the state.
On Urszula Honek’s bleak debut story collection, the Booker long-listed ‘White Nights,’ newly translated by Kate Webster.
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.