A Spectacle and Nothing Strange
Jacquelyn Ardam considers Francesca Wade’s “Gertrude Stein: An Afterlife.”
Reviews
Jacquelyn Ardam considers Francesca Wade’s “Gertrude Stein: An Afterlife.”
Sophie van Well Groeneveld visits a Wolfgang Tillmans survey, the final exhibition at Centre Pompidou before its renovation.
Chloe Garcia Roberts considers J. M. Coetzee and Mariana Dimópulos’s new book on translation.
Annie Berke considers timelines not taken in new novels by Erin Somers and Catherine Newman.
Ranbir Sidhu visits two recent exhibitions of Anselm Kiefer in Greece and the Netherlands.
Historian of technology Patrick McCray describes Chris Miller’s “Chip War” as “an account of how chips became a strategically vital resource whose importance is overlooked at our peril.” Miller has placed his own chips on this point. His bet has largely paid off, according to McCray.
Christian Kriticos explores J. R. R. Tolkien’s long-lost satire of a motorized world.
From his rear window, M. Keith Booker reads the new anthology of stories inspired by Alfred Hitchcock, edited by Maxim Jakubowski.
Rowland Bagnall dives into the early work of Stephen Shore, newly collected by MACK.
A palace of fine arts sinks into historical depths in Beatriz Cortez’s exhibition at Commonwealth and Council.
Drew Basile reads the new English reissue of French author Michel Tournier’s novel “Friday.”
Emy Manini faces Alma Katsu’s demons while reading her newest novel, “Fiend.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”