Rebel Without a Clue
Elizabeth Alsop picks up the trail of Kelly Reichardt’s alienated art thief in “The Mastermind.”
Reviews
Elizabeth Alsop picks up the trail of Kelly Reichardt’s alienated art thief in “The Mastermind.”
Sam Shpall ponders the enigma of Werner Herzog and his new book, “The Future of Truth.”
Ariel Dorfman revisits acts of brutality in the 1970s and John Dinges’s investigation of who is to blame.
Leah Litman prosecutes Justice Amy Coney Barrett’s new legal memoir, “Listening to the Law: Reflections on the Court and Constitution.”
Yvonne Kim invests in “The New Economy,” the latest poetry collection from Gabrielle Calvocoressi.
Laurie L. Levenson cross-examines Leah Litman’s “Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes.”
Jacob Stern reviews Richard Linklater’s two latest films, “Nouvelle Vague” and “Blue Moon,” as twin hangout movies.
Gideon Leek reviews Joy Williams’s latest story collection, “The Pelican Child.”
Sara Kozameh offers a rigorous analysis of cultural production during the Cuban Revolution in conversation with Jennifer L. Lambe’s book “The Subject of Revolution: Between Political and Popular Culture in Cuba.”
Pasquale Toscano considers Rob Macaisa Colgate’s debut poetry collection, “Hardly Creatures.”
Lois Parkinson Zamora explores “Architect Hannes Meyer and Radical Modernism” by Georg Leidenberger.
Cory Oldweiler reviews the new translation of Danish author Solvej Balle’s “On the Calculation of Volume (Book III).”
Helena Aeberli traces Ellen Huet’s investigations in “Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult.”
Aurelian Craiutu thinks about Balázs Trencsényi’s “Intellectuals and the Crisis of Politics in the Interwar Period and Beyond: A Transnational History.”