Ha Ha. Sob Sob.
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
Reviews
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
Neil Shubin’s stories of polar exploration tell us about the losses ahead.
What the ancients can teach us about cultivating a sustainable world.
Monique Wittig’s novels ‘The Lesbian Body’ and ‘Across the Acheron’ have just received new editions that reflect the feminist thinker’s ongoing cultural impact.
Jimin Kang reviews Karen Cheung’s “The Impossible City: A Hong Kong Memoir.”
John Knych dissects Hiron Ennes’s ‘The Works of Vermin.’
Irene Katz Connelly argues for a new approach to witch hysteria via two recent novels, Olga Ravn’s ‘The Wax Child’ and Irene Solà’s ‘I Gave You Eyes and You Looked Toward Darkness.’
Gregg Mitman looks at the bodily damage that soldiers take home in Joshua Howe and Alexander Lemons’s ‘Warbody: A Marine Sniper and the Hidden Violence of Modern Warfare.’
Mona Fastvold’s ‘The Testament of Ann Lee’ presents a musical American allegory of the Great Awakening that is ‘fundamentally carnal, even if its heroine is decidedly not.’
Eram Alam’s new book uncovers the ways that immigrant physicians have propped up the American medical system.
Eric Gudas on the work and afterlife of the misunderstood photographer Diane Arbus.
Chelsea Davis considers Katherine Dunn’s posthumous story collection ‘Near Flesh.’
Tim Riley listens for the unspoken ironies of Cameron Crowe’s career via his new memoir, ‘The Uncool.’