A Child Makes a Future, and What Future Had We?
Carol Senf reviews Kathe Koja’s “Catherine the Ghost.”
"The function of science fiction is not always to predict the future but sometimes to prevent it." — Frank Herbert
Carol Senf reviews Kathe Koja’s “Catherine the Ghost.”
Carol SenfOct 16, 2024
Christian Kriticos reviews “The Collected Poems of J. R. R. Tolkien.”
Christian KriticosOct 16, 2024
Gary K. Wolfe surveys the career of American fabulist Jonathan Carroll, whose backlist is currently being re-released by JABberwocky eBooks.
Gary K. WolfeOct 8, 2024
Zachary Gillan reviews Brian Evenson’s new collection “Good Night, Sleep Tight.”
Zachary GillanOct 7, 2024
Clayton Purdom situates nonfictional works designed “with the intention of upsetting, disturbing, or confusing the audience,” in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Clayton PurdomSep 27, 2024
Sasha Karsavina examines Mingwei Song’s “Fear of Seeing” and the first two books of Han Song’s “Hospital” trilogy.
Sasha KarsavinaSep 26, 2024
Dennis Wilson Wise reviews two books on Tolkien and the challenges Tolkien studies faces when engaging the wider discipline.
Dennis Wilson WiseSep 25, 2024
Sam Weller details the tempestuous collaboration of Ray Bradbury and John Huston on the production of the 1956 movie “Moby Dick.”
Sam WellerSep 5, 2024
D. Harlan Wilson reviews Keanu Reeves and China Miéville’s “The Book of Elsewhere.”
D. Harlan WilsonSep 2, 2024
Minsoo Kang examines the persistence of Korean nationalism in the South Korean horror thriller “Exhuma,” directed by Jang Jae-hyun.
Minsoo KangAug 3, 2024
Jenna N. Hanchey reviews Suyi Davies Okungbowa’s “Lost Ark Dreaming.”
Jenna N. HancheyJul 11, 2024
Dan Hartland reviews Christopher Priest’s “Airside.”
Dan HartlandJul 9, 2024