A Conversation Between Timothy Morton and Jeff VanderMeer
Novelist Jeff VanderMeer and philosopher Timothy Morton explore literature, climate change, hyperobjects, surrealism, coffee, and shedding cats.
"The function of science fiction is not always to predict the future but sometimes to prevent it." — Frank Herbert
Novelist Jeff VanderMeer and philosopher Timothy Morton explore literature, climate change, hyperobjects, surrealism, coffee, and shedding cats.
Andrew Hageman, Jeff VanderMeer, Timothy MortonDec 24, 2016
Ann Leckie’s Imperial Radch trilogy exemplifies not only what the best space opera can achieve, but also what the best science fiction can offer.
Graham J. MurphyDec 17, 2016
Ezra Glinter surveys the work of Polish science fiction writer Stanisław Lem.
Ezra GlinterDec 10, 2016
Sarban’s sadistic atavistic fantasy of an alternate Nazi future has unexpected, chilling resonance in the age of Putin, Trump, and Brexit.
Paul StJohn MackintoshDec 7, 2016
Who ended up in Jeff and Ann VanderMeer's "The Big Book of Science Fiction"?
Paul KincaidDec 3, 2016
Ayana A. H. Jamieson talks to Rochell D. Thomas about her research of Octavia Butler.
Rochell D. ThomasDec 2, 2016
Stina Attebery on Gerald Vizenor's newest novel.
Stina AtteberyNov 26, 2016
"Doctor Strange" grasps the deepest ideological fantasies of our era: On both the left and the right, we yearn to revise the catastrophes we couldn't stop.
David M. HigginsNov 19, 2016
By reimagining the past, Nisi Shawl’s steamfunk novel “Everfair” soars towards a feminist, afrofuturist vision of liberational technology.
Ida Yoshinaga, Lynette JamesNov 19, 2016
Emily A. Maguire on two recently published science fiction novels by the writer Yoss, "A Planet for Rent" and "Super Extra Grande."
Emily A. MaguireNov 12, 2016
De Rojas speaks to us as an eccentric prophet whose visions of the future remain vital by giving us access to the otherwise unimaginable.
Geoff ShullenbergerNov 10, 2016
Julianne Werlin reviews Verso’s new 500th anniversary edition of Thomas More’s “Utopia.”
Julianne WerlinNov 8, 2016