Keeping an Accent: On Charles Wright’s “Oblivion Banjo”
Lindsay Turner considers “Oblivion Banjo” by Charles Wright.
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
Lindsay Turner considers “Oblivion Banjo” by Charles Wright.
Lindsay TurnerApr 2, 2020
Carla Baricz considers Szilárd Borbély’s “Final Matters,” the haunting final volumes of one of Hungary’s most celebrated poets.
Carla BariczMar 27, 2020
Elena Goukassian listens to “Many Restless Concerns,” the new novel in poems by Gayle Brandeis.
Elena GoukassianMar 17, 2020
Sunil Iyengar opens “The Shrine Whose Shape I Am: The Collected Poetry of Samuel Menashe,” edited by Bhisham Bherwani and Nicholas Birns.
Sunil IyengarMar 10, 2020
Art Beck is enchanted by “The Battle Between the Frogs and the Mice,” a Greek epic translated by A. E. Stallings.
Art BeckMar 5, 2020
Yesika Salgado speaks to Daniel Lisi and hollis hart, the co-founders of Not a Cult Media.
Yesika SalgadoMar 4, 2020
Lisa Russ Spaar takes a look at translated books by poets Francesc Parcerisas and Ye Lijun.
Lisa Russ SpaarFeb 26, 2020
Akanksha Singh considers Maitreyee Bhattacharjee Chowdhury’s “The Hungryalists: The Poets Who Sparked a Revolution.”
Akanksha SinghFeb 19, 2020
Rachel Carroll considers “Good Boys” by Megan Fernandes.
Rachel CarrollFeb 18, 2020
Amanda Gorman considers “Homie” by Danez Smith.
Amanda GormanFeb 13, 2020
Heather Treseler considers “Summer Snow” by Robert Hass.
Heather TreselerFeb 6, 2020
Callie Hitchcock speaks to Guatemalan-Slovak poet Ivanna Baranova, author of “Confirmation Bias,” now out from Metatron Press.
Callie HitchcockFeb 5, 2020