What Persists, What Remains
Nathan Crompton interviews Andrew Witt about documentary as form and photographing L.A. in an online release from LARB Quarterly no. 45: “Submission.”
"There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them." — Federico García Lorca
Nathan Crompton interviews Andrew Witt about documentary as form and photographing L.A. in an online release from LARB Quarterly no. 45: “Submission.”
Nathan CromptonJul 19
Nik Slackman speaks with Taylor Lewandowski and Lynne Tillman on the occasion of their new book, “The Mystery of Perception.”
Nik SlackmanJun 17
Jonathan Alexander considers the English translations of Annie Ernaux and Marc Marie’s “The Use of Photography” and Hervé Guibert’s “Suzanne and Louise.”
Jonathan AlexanderMar 12
Claire Foster reviews Jacqueline Feldman’s book about Paris’s artistic squat scene, “Precarious Lease.”
Claire FosterFeb 5
Maria Cichosz explores new models of addiction and finds them unsatisfactory.
Maria CichoszFeb 2
In an essay from the LARB Quarterly issue no. 43, “Fixation,” Arielle Gordon asks: do blondes really have more fun?
Arielle GordonDec 26, 2024
Apoorva Tadepalli reviews Nathan J. Robinson and Noam Chomsky’s “The Myth of American Idealism: How U.S. Foreign Policy Endangers the World.”
Apoorva TadepalliNov 15, 2024
Jess Maginity reviews Jordan S. Carroll’s “Speculative Whiteness: Science Fiction and the Alt-Right.”
Jess MaginityNov 12, 2024
Erik Loomis reviews “The Burning Earth: A History” by Sunil Amrith.
Erik LoomisNov 11, 2024
Tia Glista reviews Iris Jamahl Dunkle’s “Riding Like the Wind: The Life of Sanora Babb.”
Tia GlistaNov 6, 2024
Randle Browning reviews Emily Adrian’s new work of autofiction, “Daughterhood.”
Randle BrowningNov 5, 2024
Colin Marshall reviews Jeremy Braddock’s “Firesign: The Electromagnetic History of Everything as Told on Nine Comedy Albums.”
Colin MarshallNov 1, 2024