The World Coming at Us Backward
Richard Kearney on Fanny Howe's "The Needle's Eye."
"The older one grows, the more one likes indecency." — Virginia Woolf
Richard Kearney on Fanny Howe's "The Needle's Eye."
Richard KearneyMay 17, 2017
A crop of new books — a novel and three memoirs — add complexity to the seemingly insurmountable national divide over abortion.
Sarah HerringtonMay 15, 2017
Kevin Zambrano on Barret Baumgart's "China Lake: A Journey into the Contradicted Heart of a Global Climate Catastrophe."
Kevin ZambranoMay 10, 2017
Kate Wolf visits Lauren Elkin's "Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London."
Kate WolfMay 8, 2017
Sarah Heston reviews Kristen Radtke's "Imagine Wanting Only This."
Sarah HestonMay 6, 2017
"What is Florida?" Anya Ventura on Sarah Gerard's "Sunshine State."
Anya VenturaMay 4, 2017
Nanda Dyssou talks to Ngũgĩ wa Thiong’o about writing in native languages, living in exile, and his hope for Africa.
Nanda DyssouApr 23, 2017
Patrick Kurp appreciates the serious “sallies” of “This Thing We Call Literature” by Arthur Krystal.
Patrick KurpApr 22, 2017
Mort Zachter visits Annabelle Gurwitch's "Wherever You Go, There They Are."
Mort ZachterApr 18, 2017
Eric Gudas pores over “Family Lexicon” by Natalia Ginzburg.
Eric GudasApr 15, 2017
Emily LaBarge reviews Durga Chew-Bose's "Too Much and Not the Mood."
Emily LaBargeApr 13, 2017
Jon Friedman on "Music in the Air: The Selected Writings of Ralph J. Gleason."
Jon FriedmanApr 12, 2017