Who Is It For?
Colleen Kelsey speaks with Julia Cooper about her new polemic, "The Last Word: Reviving the Dying Art of Eulogy."
"The older one grows, the more one likes indecency." — Virginia Woolf
Colleen Kelsey speaks with Julia Cooper about her new polemic, "The Last Word: Reviving the Dying Art of Eulogy."
Colleen KelseyJun 6, 2017
Leonie Orton, sister of controversial playwright Joe Orton, discusses her memoir with Charles Casillo.
Charles CasilloJun 4, 2017
Micah McCrary interviews Kristen Radtke about her new graphic memoir, "Imagine Wanting Only This."
Micah McCraryJun 1, 2017
“A Grace Paley Reader” contains a sampling of the wisdom that one woman gleaned from not taking the easy way out.
Jerusha Joy EmersonMay 31, 2017
Louise Steinman talks to poet Adam Zagajewski about his new memoir, "Slight Exaggeration."
Louise SteinmanMay 28, 2017
Writing about a pedophile and murderer led Alexandria Marzano-Lesnevich to write about her own family.
Tucker CoombeMay 28, 2017
Noah Kennedy reviews George Prochnik's "Stranger in a Strange Land."
Noah KennedyMay 21, 2017
Michael W. Clune on Cyrus Console’s “Romanian Notebook.”
Michael W. CluneMay 21, 2017
Will Clark on the complications of identity, history and the body in Susan Faludi’s “In the Darkroom.”
Will ClarkMay 20, 2017
Kathryn O’Shea-Evans digs into Amy Thielen's "Give a Girl a Knife."
Kathryn O’Shea-EvansMay 20, 2017
Mickey Revenaugh reviews Anne Elizabeth Moore's "Body Horror: Capitalism, Fear, Misogyny, Jokes."
Mickey RevenaughMay 19, 2017
Emily Wells looks at two new rereleases from Leonora Carrington.
Emily WellsMay 18, 2017