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Adrift in Mythic Country: On Tom Zoellner’s “Rim to River”
Craig Childs reviews Tom Zoellner’s “Rim to River: Looking into the Heart of Arizona.”
Memoir & Essay
"The older one grows, the more one likes indecency." — Virginia Woolf
Get Lost: On Daniel Asa Rose’s “Truth or Consequences”
Julie Morrison reviews Daniel Asa Rose’s “Truth or Consequences: Improbable Adventures, a Near-Death Experience, and Unexpected Redemption in the New Mexico Desert.”
Away Upstream Again: On Mark Wormald’s “The Catch”
Katherine Robinson reviews Mark Wormald’s “The Catch: Fishing for Ted Hughes.”
Artaud’s Final Testaments: On Three Recent Books from Infinity Land Press
Jay Murphy reviews three recent books of (and about) the late writings of Antonin Artaud.
Sharing Speech: On Translation as Conversation
Robin Myers writes about her experience of migrating to Mexico City and coming to translate Spanish poetry.
The Battle for Love
In a preview of “LARB Quarterly” no. 38: “Earth,” Camila Fabbri considers what forever means, as translated by Robin Myers.
Thorns, or The Things That Humans Do in the Name of Care That Are Something Other Than Care
In a preview of LARB Quarterly no. 38: Earth, Juliana Spahr explores the end.
The Banality of Heroism: Marek Edelman and the Warsaw Ghetto Uprising
Samuel Tchorek-Bentall explores the career of Marek Edelman, hero of the Warsaw Ghetto Uprising.
Translation and the Terebinth: On Translating Meir Shalev
Joanna Chen writes about the pleasures of translating work by the late Israeli writer Meir Shalev.
Great Memoirists Lie: On Caroline Calloway’s “Scammer”
Anna Dorn reviews Caroline Calloway’s “Scammer.”
A Lifetime Drama of Escape: On M. John Harrison’s “Wish I Was Here”
Roger Luckhurst reviews M. John Harrison’s “Wish I Was Here: An Anti-Memoir.”
Off-Off-Broadway West: On Guy Zimmerman’s “Outlaw Theatre”
Paul Vangelisti reviews Guy Zimmerman’s “Outlaw Theatre: Field Notes from the Padua Hills Playwrights Workshop and Festival.”
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