Working the Trap: On Suzanne Scanlon’s “Committed”
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
"The older one grows, the more one likes indecency." — Virginia Woolf
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
Diana HealdMay 5, 2024
In an excerpt from LARB Quarterly no. 41, “Truth,” Sarah Yanni accounts for what she left behind when she called off her wedding—and what she couldn’t.
Sarah YanniMay 1, 2024
Lydia Eno interviews Eileen Myles for the 30th anniversary of “Chelsea Girls.”
Lydia EnoMay 1, 2024
Whitney Mallett talks with Geoffrey Mak about his new book “Mean Boys: A Personal History” and trauma plot trends in recent writing.
Whitney MallettApr 28, 2024
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Bob BlaisdellApr 17, 2024
Naa Oyo A. Kwate lauds Uché Blackstock’s grounded memoir about racism in medicine and denounces Constance Hilliard’s genetic explanation for Black health disparities.
Naa Oyo A. KwateApr 16, 2024
Josh Billings reviews Matthew J. C. Clark’s “Bjarki, Not Bjarki: On Floorboards, Love, and Irreconcilable Differences.”
Josh BillingsApr 11, 2024
Lazz Kinnamon reviews Constance Debré's "Playboy."
Lazz KinnamonApr 9, 2024
Leah Mandel reviews Emmeline Clein’s “Dead Weight: Essays on Hunger and Harm.”
Leah MandelApr 6, 2024
Mimi Howard reviews Iris Moon’s “Melancholy Wedgwood.”
Mimi HowardApr 3, 2024
Julia Berick reviews Sheila Heti’s “Alphabetical Diaries.”
Julia BerickApr 3, 2024
Nine poets and critics commemorate the late Lyn Hejinian.
Abigail Lang, Alan Golding, Barrett Watten, Carla Harryman, Jeanne Heuving, Kit Robinson, Rae Armantrout, Roberto Harrison, Vladimir FeshchenkoMar 31, 2024